Collection:
|
Archivision Base to Module 13
LocalCollection
Archivision Base to Module 13
Collection
|
Preferred Title:
|
The Bather
Work_PrefTitle
The Bather
Preferred Title
|
Alternate Title:
|
Bather
Work_AltTitle
Bather
Alternate Title
|
Image View:
|
Detail, showing the stylized head
Image_Title
Detail, showing the stylized head
Image View
|
Creator:
|
Jacques Lipchitz (French sculptor, 1891-1973)
Agent_Display
Jacques Lipchitz (French sculptor, 1891-1973)
Creator
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Location:
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repository: University of California, Los Angeles (UCLA) (Los Angeles, California, United States)
Work_Location_Type_D isplay
repository: University of California, Los Angeles (UCLA) (Los Angeles, California, United States)
Location
|
Location Note:
|
Gift of David E. Bright
Work_LocationNotes
Gift of David E. Bright
Location Note
|
GPS:
|
34.075023-118.440268
GPS
34.075023-118.440268
GPS
|
Date:
|
1923-1925 (creation)
Work_DateDisplay
1923-1925 (creation)
Date
|
Cultural Context:
|
French
Work_Culture
French
Cultural Context
|
Style Period:
|
Cubist; Twentieth century
Work_StylePeriodDisp lay
Cubist; Twentieth century
Style Period
|
Work Type 1:
|
sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
|
Classification:
|
sculpture
Work_Classification
sculpture
Classification
|
Material:
|
bronze
Work_MaterialDisplay
bronze
Material
|
Technique:
|
casting (process)
Work_Technique
casting (process)
Technique
|
Measurements:
|
198.45 x 70.49 x 79.07 cm (length)
Work_MeasurementDisp lay
198.45 x 70.49 x 79.07 cm (length)
Measurements
|
Relation Work:
|
part of Hammer Museum, Franklin D. Murphy Sculpture Garden
RelationType1_Work_R elatedWork1
part of Hammer Museum, Franklin D. Murphy Sculpture Garden
Relation Work
|
Subjects:
|
abstraction or non-objective; figural abstraction; Cubism
Work_Image_SubjectDi splay
abstraction or non-objective; figural abstraction; Cubism
Subjects
|
Description:
|
In 1917-1918 he abandoned the austere purity that had characterized much of his recent work and created clearly legible Cubist subjects: bathers, musicians, harlequins and still-lifes. The sculpture also reflects Lipchitz?s renewed interest in frontality, an aspect of Egyptian and archaic sculpture that he greatly admired. Source: Grove Art Online; http://www.oxfordar
Work_Description_Sou rce
In 1917-1918 he abandoned the austere purity that had characterized much of his recent work and created clearly legible Cubist subjects: bathers, musicians, harlequins and still-lifes. The sculpture also reflects Lipchitz?s renewed interest in frontality, an aspect of Egyptian and archaic sculpture that he greatly admired. Source: Grove Art Online; http://www.oxfordar
Description
|
Collection:
|
Archivision Addition Module Four
LocalCollection
Archivision Addition Module Four
Collection
|
Identifier:
|
6A1-LJ-TB-A7
Image_OriginalVendor ID
6A1-LJ-TB-A7
Identifier
|
Rights:
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|