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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Resurrection of Christ and Women at the Tomb
Work_PrefTitle
Resurrection of Christ and Women at the Tomb
Preferred Title
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Alternate Title:
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Resurrection of Christ and Women at the Tomb (Cell 8)
Work_AltTitle
Resurrection of Christ and Women at the Tomb (Cell 8)
Alternate Title
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Image View:
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Detail, the angel tells the women at the tomb of the risen Christ; kneeling female Dominican saint witnesses the scene
Image_Title
Detail, the angel tells the women at the tomb of the risen Christ; kneeling female Dominican saint witnesses the scene
Image View
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Creator:
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workshop of Fra Angelico (Italian painter, ca. 1400-1455)
Agent_Display
workshop of Fra Angelico (Italian painter, ca. 1400-1455)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
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Location Note:
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Convent of San Marco; Piazza San Marco, 1
Work_LocationNotes
Convent of San Marco; Piazza San Marco, 1
Location Note
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GPS:
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43.778664 11.259584
GPS
43.778664 11.259584
GPS
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Date:
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ca. 1440-1445 (creation)
Work_DateDisplay
ca. 1440-1445 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Description:
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Fra Angelico was entrusted with a program of decoration that included an altarpiece for the church and over 50 frescoes for the convent itself. Upstairs in the dormitory, each of the 43 original cells received a frescoed composition and three others were painted in the corridors. It is thought that the Dominicans were the first order to specify the use of images in this context, though apart from those at San Marco no other such suites are known. The attribution and chronology of the 43 frescoes in the cells is an enormous and probably insoluble problem. The frescoes wholly or almost wholly painted by the master are those in cleric's cells 3, 6, 7, 9 and 10. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Fra Angelico was entrusted with a program of decoration that included an altarpiece for the church and over 50 frescoes for the convent itself. Upstairs in the dormitory, each of the 43 original cells received a frescoed composition and three others were painted in the corridors. It is thought that the Dominicans were the first order to specify the use of images in this context, though apart from those at San Marco no other such suites are known. The attribution and chronology of the 43 frescoes in the cells is an enormous and probably insoluble problem. The frescoes wholly or almost wholly painted by the master are those in cleric's cells 3, 6, 7, 9 and 10. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-FA-CSM-C8-A04
Image_OriginalVendor ID
7A1-FA-CSM-C8-A04
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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