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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Madonna and Child
Work_PrefTitle
Madonna and Child
Preferred Title
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Image View:
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Overall view
Image_Title
Overall view
Image View
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Creator:
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Master of the Marble Madonnas (Italian sculptor, active ca. 1470-1500)
Agent_Display
Master of the Marble Madonnas (Italian sculptor, active ca. 1470-1500)
Creator
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Location:
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repository: Galleria Nazionale delle Marche (Urbino, Marches, Italy)
Work_Location_Type_D isplay
repository: Galleria Nazionale delle Marche (Urbino, Marches, Italy)
Location
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Location Note:
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Palazzo Ducale di Urbino Piazza Rinascimento 13
Work_LocationNotes
Palazzo Ducale di Urbino Piazza Rinascimento 13
Location Note
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GPS:
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43.723333 12.637778
GPS
43.723333 12.637778
GPS
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Date:
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ca. 1470-1500 (creation)
Work_DateDisplay
ca. 1470-1500 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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71 cm (height) x 55 cm (width)
Work_MeasurementDisp lay
71 cm (height) x 55 cm (width)
Measurements
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Subjects:
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New Testament; Angels; Jesus Christ; Mary, Blessed Virgin, Saint; cherubim
Work_Image_SubjectDi splay
New Testament; Angels; Jesus Christ; Mary, Blessed Virgin, Saint; cherubim
Subjects
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Description:
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There is evidence that the "Master of the Marble Madonnas" may be a group of artists, and not the work of a single person. The name was coined by Bode (1892-1905) for an anonymous sculptor, apparently Tuscan, possibly trained in the workshop of Mino da Fiesole and influenced by Antonio Rossellino. Numerous sculptures have been attributed to him on the basis of related compositions, drapery forms, ornamental motifs and pronounced mannerisms. Chief among the latter is a peculiar feline smile from heavy-lidded eyes and a taut jaw, at its best radiating inward joy but often acerbic or bordering on the manic. The Master’s eclectic shop and followers produced marble reliefs of the Virgin and Child, busts and reliefs of the suffering Christ and busts of children. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
There is evidence that the "Master of the Marble Madonnas" may be a group of artists, and not the work of a single person. The name was coined by Bode (1892-1905) for an anonymous sculptor, apparently Tuscan, possibly trained in the workshop of Mino da Fiesole and influenced by Antonio Rossellino. Numerous sculptures have been attributed to him on the basis of related compositions, drapery forms, ornamental motifs and pronounced mannerisms. Chief among the latter is a peculiar feline smile from heavy-lidded eyes and a taut jaw, at its best radiating inward joy but often acerbic or bordering on the manic. The Master’s eclectic shop and followers produced marble reliefs of the Virgin and Child, busts and reliefs of the suffering Christ and busts of children. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-ARTE-GNM-MC2-A01
Image_OriginalVendor ID
7A1-ARTE-GNM-MC2-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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