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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Death of the Virgin
Work_PrefTitle
Death of the Virgin
Preferred Title
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Alternate Title:
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Morte della Madonna
Work_AltTitle
Morte della Madonna
Alternate Title
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Image View:
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Detail, heavenly host of angels and Christ with Mary's soul ascending
Image_Title
Detail, heavenly host of angels and Christ with Mary's soul ascending
Image View
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Creator:
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Michele di Luca dei Coltellini (Italian painter, ca. 1480-after 1543)
Agent_Display
Michele di Luca dei Coltellini (Italian painter, ca. 1480-after 1543)
Creator
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Location:
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repository: Pinacoteca Nazionale di Bologna (Bologna, Emilia-Romagna, Italy) 263
Work_Location_Type_D isplay
repository: Pinacoteca Nazionale di Bologna (Bologna, Emilia-Romagna, Italy) 263
Location
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Location Note:
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Via Belle Arti 56
Work_LocationNotes
Via Belle Arti 56
Location Note
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GPS:
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44.497778 11.353333
GPS
44.497778 11.353333
GPS
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Date:
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1502 (creation)
Work_DateDisplay
1502 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera on wood panel
Work_MaterialDisplay
tempera on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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96 cm (height) x 69 cm (width)
Work_MeasurementDisp lay
96 cm (height) x 69 cm (width)
Measurements
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Subjects:
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saints; Mary, Blessed Virgin, Saint; Savonarola, Girolamo, 1452-1498
Work_Image_SubjectDi splay
saints; Mary, Blessed Virgin, Saint; Savonarola, Girolamo, 1452-1498
Subjects
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Description:
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Coltellini was almost certainly trained within the circle of Ercole de’ Roberti. His early work, including the signed and dated Death of the Virgin (1502; Bologna, Pin. N.) is characterized by a harsh, archaizing style that reveals the influence of northern art. The Death of the Virgin was inspired by Martin Schongauer’s engraving of the same subject (ca. 1480; b. 33) and appears to express the sense of religious contrition felt by Coltellini, who was one of the lesser exponents of the religious fervour that characterized the final years of the dukedom of Ercole I d’Este, Duke of Ferrara, partly as a result of the influence of Girolamo Savonarola. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Coltellini was almost certainly trained within the circle of Ercole de’ Roberti. His early work, including the signed and dated Death of the Virgin (1502; Bologna, Pin. N.) is characterized by a harsh, archaizing style that reveals the influence of northern art. The Death of the Virgin was inspired by Martin Schongauer’s engraving of the same subject (ca. 1480; b. 33) and appears to express the sense of religious contrition felt by Coltellini, who was one of the lesser exponents of the religious fervour that characterized the final years of the dukedom of Ercole I d’Este, Duke of Ferrara, partly as a result of the influence of Girolamo Savonarola. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-COLTE-PNB-DM-A04
Image_OriginalVendor ID
7A1-COLTE-PNB-DM-A04
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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