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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Kiss of Judas (cell 33)
Work_PrefTitle
Kiss of Judas (cell 33)
Preferred Title
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Alternate Title:
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Arrest of Jesus (cell 33)
Work_AltTitle
Arrest of Jesus (cell 33)
Alternate Title
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Image View:
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Detail, Saint Peter cuts off the ear of Malchus, the servant of Caiaphas, the high priest
Image_Title
Detail, Saint Peter cuts off the ear of Malchus, the servant of Caiaphas, the high priest
Image View
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Creator:
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Benozzo Gozzoli (Italian painter, ca. 1421-1497); Fra Angelico (Italian painter, ca. 1400-1455)
Agent_Display
Benozzo Gozzoli (Italian painter, ca. 1421-1497); Fra Angelico (Italian painter, ca. 1400-1455)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
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Location Note:
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Convent of San Marco, Dormitory; Piazza San Marco 3
Work_LocationNotes
Convent of San Marco, Dormitory; Piazza San Marco 3
Location Note
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GPS:
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43.778198 11.259329
GPS
43.778198 11.259329
GPS
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Date:
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ca. 1441-1442 (creation)
Work_DateDisplay
ca. 1441-1442 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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New Testament; saints; Jesus Christ; Peter, the Apostle, Saint
Work_Image_SubjectDi splay
New Testament; saints; Jesus Christ; Peter, the Apostle, Saint
Subjects
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Description:
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At this period lay brothers were assumed to be untutored in Latin and would not have undergone even the minimal theological preparation required for ordination. Accordingly, the frescoes in their cells, on the south side of the north corridor, do not have mystical or Dominican allusions but are fully narrative illustrations of various scenes from the Life of Christ, drawn mostly from the Passion cycle beginning with the Last Supper [Institution of the Eucharist] (Cell 35) and ending with the Noli me tangere (Cell 1). This fresco has been ascribed to Benozzo Gozzoli, working to the design of Fra Angelico. As in Cell 35, Judas is shown with a dark halo. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
At this period lay brothers were assumed to be untutored in Latin and would not have undergone even the minimal theological preparation required for ordination. Accordingly, the frescoes in their cells, on the south side of the north corridor, do not have mystical or Dominican allusions but are fully narrative illustrations of various scenes from the Life of Christ, drawn mostly from the Passion cycle beginning with the Last Supper [Institution of the Eucharist] (Cell 35) and ending with the Noli me tangere (Cell 1). This fresco has been ascribed to Benozzo Gozzoli, working to the design of Fra Angelico. As in Cell 35, Judas is shown with a dark halo. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-FA-CSM-KJ-A06
Image_OriginalVendor ID
7A1-FA-CSM-KJ-A06
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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