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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Altar wall with the Crucifixion
Work_PrefTitle
Altar wall with the Crucifixion
Preferred Title
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Alternate Title:
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Crocifissione di Cristo
Work_AltTitle
Crocifissione di Cristo
Alternate Title
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Image View:
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Detail, John the Evangelist at right
Image_Title
Detail, John the Evangelist at right
Image View
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Creator:
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Jacopo Salimbeni (Italian painter, active ca. 1404-1427); Lorenzo Salimbeni (Italian painter, 1374-ca. 1420)
Agent_Display
Jacopo Salimbeni (Italian painter, active ca. 1404-1427); Lorenzo Salimbeni (Italian painter, 1374-ca. 1420)
Creator
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Location:
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repository: Oratorio di San Giovanni Battista (Urbino, Marches, Italy)
Work_Location_Type_D isplay
repository: Oratorio di San Giovanni Battista (Urbino, Marches, Italy)
Location
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Location Note:
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Via Francesco Barocci, 31
Work_LocationNotes
Via Francesco Barocci, 31
Location Note
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GPS:
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43.7256 12.6345
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Date:
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1416 (creation)
Work_DateDisplay
1416 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Late Gothic
Work_StylePeriodDisp lay
Fifteenth century; Late Gothic
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Relation Work:
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partOf Oratory of St. John the Baptist Fresco Cycle
RelationType1_Work_R elatedWork1
partOf Oratory of St. John the Baptist Fresco Cycle
Relation Work
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Subjects:
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cycles or series; New Testament; saints; Jesus Christ
Work_Image_SubjectDi splay
cycles or series; New Testament; saints; Jesus Christ
Subjects
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Description:
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The Oratory of St. John the Baptist (Oratorio di San Giovanni Battista) is a 14th-century small chapel or prayer hall best known for its Late Gothic style fresco cycle (1416) by the brothers Lorenzo and Jacopo Salimbeni. In terms of content, form, and artistry, The Crucifixion on the altar wall is clearly the culmination of the entire series of paintings. The Salimbenis' wall painting represents the populous or expanded type of Crucifixion often designated the Mount of Calvary. Beginning in the fourteenth century, this type with its opportunities for secondary motifs (such as the joust at the base of the crosses), became increasingly popular. The fresco cycle is dated 1416 in an inscription under the Crucifixion. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The Oratory of St. John the Baptist (Oratorio di San Giovanni Battista) is a 14th-century small chapel or prayer hall best known for its Late Gothic style fresco cycle (1416) by the brothers Lorenzo and Jacopo Salimbeni. In terms of content, form, and artistry, The Crucifixion on the altar wall is clearly the culmination of the entire series of paintings. The Salimbenis' wall painting represents the populous or expanded type of Crucifixion often designated the Mount of Calvary. Beginning in the fourteenth century, this type with its opportunities for secondary motifs (such as the joust at the base of the crosses), became increasingly popular. The fresco cycle is dated 1416 in an inscription under the Crucifixion. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-LJS-OSJB-C-A10
Image_OriginalVendor ID
7A1-LJS-OSJB-C-A10
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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