Collection:
|
ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
|
Preferred Title:
|
Au fil du temps
Work_PrefTitle
Au fil du temps
Preferred Title
|
Alternate Title:
|
Over Time
Work_AltTitle
Over Time
Alternate Title
|
Image View:
|
Overall view without frame
Image_Title
Overall view without frame
Image View
|
Creator:
|
Marc Chagall (Belorussian painter, 1887-1985)
Agent_Display
Marc Chagall (Belorussian painter, 1887-1985)
Creator
|
Location:
|
repository: Musée National Marc Chagall (Nice, Provence-Alpes-Côte d'Azur, France)
Work_Location_Type_D isplay
repository: Musée National Marc Chagall (Nice, Provence-Alpes-Côte d'Azur, France)
Location
|
Location Note:
|
36 Avenue Docteur Ménard
Work_LocationNotes
36 Avenue Docteur Ménard
Location Note
|
GPS:
|
43.709167 7.269536
GPS
43.709167 7.269536
GPS
|
Date:
|
ca. 1970 (creation)
Work_DateDisplay
ca. 1970 (creation)
Date
|
Cultural Context:
|
French
Work_Culture
French
Cultural Context
|
Style Period:
|
Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
|
Work Type 1:
|
watercolor (painting)
Work_Worktype1
watercolor (painting)
Work Type 1
|
Work Type 2:
|
collage (visual work)
Work_Worktype2
collage (visual work)
Work Type 2
|
Classification:
|
Drawings and Watercolors
Work_Classification
Drawings and Watercolors
Classification
|
Material:
|
watercolor; India ink; paper collage on printer's proof
Work_MaterialDisplay
watercolor; India ink; paper collage on printer's proof
Material
|
Technique:
|
aquarelle (technique); collage (technique); drawing (image-making)
Work_Technique
aquarelle (technique); collage (technique); drawing (image-making)
Technique
|
Subjects:
|
animal; contemporary (1960 to present); timekeeping; clock; folkloric; dreamlike; goat; time
Work_Image_SubjectDi splay
animal; contemporary (1960 to present); timekeeping; clock; folkloric; dreamlike; goat; time
Subjects
|
Description:
|
In this collage, Chagall used as the base a printer's proof for a plate from his Poémes, published by Cramer in 1968: the sculptural motif of the boot is used upside down, playing on the duality of the forms and forming the body of the character with the tambourine. The very idea of collage results from the desire to see cohabiting images or languages on the same surface. Besides the colored paper glued to the base print, he added watercolor and India ink. (Source: Chagall Museum [website]; http://en.musees-nat ionaux-alpesmaritime s.fr/chagall/)
Work_Description_Sou rce
In this collage, Chagall used as the base a printer's proof for a plate from his Poémes, published by Cramer in 1968: the sculptural motif of the boot is used upside down, playing on the duality of the forms and forming the body of the character with the tambourine. The very idea of collage results from the desire to see cohabiting images or languages on the same surface. Besides the colored paper glued to the base print, he added watercolor and India ink. (Source: Chagall Museum [website]; http://en.musees-nat ionaux-alpesmaritime s.fr/chagall/)
Description
|
Collection:
|
Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
|
Identifier:
|
7A1-CHAGALL-AFDT-A01
Image_OriginalVendor ID
7A1-CHAGALL-AFDT-A01
Identifier
|
Rights:
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|