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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Nave nave mahana (Delicious Day)
Work_PrefTitle
Nave nave mahana (Delicious Day)
Preferred Title
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Alternate Title:
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Jour délicieux
Work_AltTitle
Jour délicieux
Alternate Title
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Image View:
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Detail, an unsmiling young woman looks out to confront the artist (and viewer)
Image_Title
Detail, an unsmiling young woman looks out to confront the artist (and viewer)
Image View
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Creator:
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Paul Gauguin (French painter, 1848-1903)
Agent_Display
Paul Gauguin (French painter, 1848-1903)
Creator
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Location:
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repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. B 1038
Work_Location_Type_D isplay
repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. B 1038
Location
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Location Note:
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20 Place des Terreaux
Work_LocationNotes
20 Place des Terreaux
Location Note
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GPS:
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45.766846 4.83363
GPS
45.766846 4.83363
GPS
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Date:
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1896 (creation)
Work_DateDisplay
1896 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Nineteenth century; Symbolist
Work_StylePeriodDisp lay
Nineteenth century; Symbolist
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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95 cm (height) x 130 cm (width)
Work_MeasurementDisp lay
95 cm (height) x 130 cm (width)
Measurements
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Subjects:
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genre; human figure; landscape; figure groups; fruit tree grove
Work_Image_SubjectDi splay
genre; human figure; landscape; figure groups; fruit tree grove
Subjects
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Description:
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In 1891, Gauguin sailed to Polynesia to escape European civilization and "everything that is artificial and conventional". His works of that period are full of quasi-religious symbolism and an exoticized view of the inhabitants of Polynesia. In 1896, he painted Nave Nave Mahana in Tahiti after he came back from a short stay in France. A group of mysterious young women seem to be gathering fruit from the branches of plants. Their feet are solidly anchored on the red ground. Behind them, we can see a yellow sky. Frozen, distant, silent, with eyes cast down and solemn faces, the figures are perhaps a revealing indication of the artist's isolation and ill health at the time of painting. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
In 1891, Gauguin sailed to Polynesia to escape European civilization and "everything that is artificial and conventional". His works of that period are full of quasi-religious symbolism and an exoticized view of the inhabitants of Polynesia. In 1896, he painted Nave Nave Mahana in Tahiti after he came back from a short stay in France. A group of mysterious young women seem to be gathering fruit from the branches of plants. Their feet are solidly anchored on the red ground. Behind them, we can see a yellow sky. Frozen, distant, silent, with eyes cast down and solemn faces, the figures are perhaps a revealing indication of the artist's isolation and ill health at the time of painting. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-GAUGUIN-ML-NNM-A 02
Image_OriginalVendor ID
7A1-GAUGUIN-ML-NNM-A 02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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