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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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The Thames at Charing Cross
Work_PrefTitle
The Thames at Charing Cross
Preferred Title
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Alternate Title:
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La Tamise à Charing-Cross
Work_AltTitle
La Tamise à Charing-Cross
Alternate Title
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Image View:
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Overall view in frame
Image_Title
Overall view in frame
Image View
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Creator:
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Claude Monet (French painter, 1840-1926)
Agent_Display
Claude Monet (French painter, 1840-1926)
Creator
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Location:
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repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. B-1725
Work_Location_Type_D isplay
repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. B-1725
Location
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Location Note:
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20 Place des Terreaux
Work_LocationNotes
20 Place des Terreaux
Location Note
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GPS:
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45.766846 4.83363
GPS
45.766846 4.83363
GPS
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Date:
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1903 (creation)
Work_DateDisplay
1903 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Impressionist; Twentieth century
Work_StylePeriodDisp lay
Impressionist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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cityscape; cycles or series; bridges (built works); Rivers
Work_Image_SubjectDi splay
cityscape; cycles or series; bridges (built works); Rivers
Subjects
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Description:
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The development of the series was Monet’s great effort of the 1890s: they were a factor in all of his exhibitions during the decade. Three trips to London (where his son Michel was studying) from 1899 to 1901 yielded an extended series of Views of the Thames. After three years of reworking in Giverny they were exhibited at Durand-Ruel’s gallery in 1904. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The development of the series was Monet’s great effort of the 1890s: they were a factor in all of his exhibitions during the decade. Three trips to London (where his son Michel was studying) from 1899 to 1901 yielded an extended series of Views of the Thames. After three years of reworking in Giverny they were exhibited at Durand-Ruel’s gallery in 1904. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-MONET-ML-LTCC-A0 1
Image_OriginalVendor ID
7A1-MONET-ML-LTCC-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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