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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Villa Farnesina: Sala del Fregio
Work_PrefTitle
Villa Farnesina: Sala del Fregio
Preferred Title
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Alternate Title:
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Villa Farnesina: Room of the Frieze
Work_AltTitle
Villa Farnesina: Room of the Frieze
Alternate Title
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Image View:
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Detail, the top of the faux painted drapery with painted hook on the wall, below the frieze
Image_Title
Detail, the top of the faux painted drapery with painted hook on the wall, below the frieze
Image View
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Creator:
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Baldassarre Peruzzi (Italian painter, 1481-1536) and workshop
Agent_Display
Baldassarre Peruzzi (Italian painter, 1481-1536) and workshop
Creator
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Location:
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repository: Villa Farnesina (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Villa Farnesina (Rome, Lazio, Italy)
Location
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Location Note:
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Via della Lungara, 230
Work_LocationNotes
Via della Lungara, 230
Location Note
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GPS:
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41.893611 12.4675
GPS
41.893611 12.4675
GPS
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Date:
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ca. 1506-1510 (creation)
Work_DateDisplay
ca. 1506-1510 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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allegory; mythology (Classical); rulers and leaders; Chigi, Agostino, 1466-1520; Hercules (Roman mythological character); Ovid, 43 B.C.-17 A.D. or 18 A.D.; trompe l'oeil; faux painting
Work_Image_SubjectDi splay
allegory; mythology (Classical); rulers and leaders; Chigi, Agostino, 1466-1520; Hercules (Roman mythological character); Ovid, 43 B.C.-17 A.D. or 18 A.D.; trompe l'oeil; faux painting
Subjects
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Description:
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The room was originally used as a waiting room for guests, but also for important ceremonies such as the reading of the banker Agostino Chigi's Will. The room takes its name from the frieze that runs around the top of the walls. Peruzzi frescoed the twelve Labours of Hercules and other deeds performed by the hero, as an allegorical reference to the virtues of his patron, as well as various mythological episodes, incorporating classical antiquity and also late-medieval Ovidian imagery. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The room was originally used as a waiting room for guests, but also for important ceremonies such as the reading of the banker Agostino Chigi's Will. The room takes its name from the frieze that runs around the top of the walls. Peruzzi frescoed the twelve Labours of Hercules and other deeds performed by the hero, as an allegorical reference to the virtues of his patron, as well as various mythological episodes, incorporating classical antiquity and also late-medieval Ovidian imagery. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-PERUZ-SFW-A05
Image_OriginalVendor ID
7A1-PERUZ-SFW-A05
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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