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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Palazzo Altemps: Frescoes of the Story of Moses
Work_PrefTitle
Palazzo Altemps: Frescoes of the Story of Moses
Preferred Title
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Alternate Title:
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Palazzo Altemps: Sala dei Palafrenieri Frescoes
Work_AltTitle
Palazzo Altemps: Sala dei Palafrenieri Frescoes
Alternate Title
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Image View:
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Detail, large allegorical figure flanking Moses scene
Image_Title
Detail, large allegorical figure flanking Moses scene
Image View
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Creator:
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Pasquale Cati (Italian painter, ca. 1550-ca. 1620)
Agent_Display
Pasquale Cati (Italian painter, ca. 1550-ca. 1620)
Creator
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Location:
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site: Palazzo Altemps (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: Palazzo Altemps (Rome, Lazio, Italy)
Location
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Location Note:
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Piazza di Sant'Apollinare, 46
Work_LocationNotes
Piazza di Sant'Apollinare, 46
Location Note
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GPS:
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41.900935 12.473053
GPS
41.900935 12.473053
GPS
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Date:
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1591 (creation)
Work_DateDisplay
1591 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster (fresco)
Work_MaterialDisplay
pigment on plaster (fresco)
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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allegory; decorative arts; Old Testament and Apocrypha; Moses (Biblical leader)
Work_Image_SubjectDi splay
allegory; decorative arts; Old Testament and Apocrypha; Moses (Biblical leader)
Subjects
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Description:
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Born in Jesi, Cati moved to Rome, where he was known as a follower, if not pupil, of Michelangelo, and later of Federico Zuccari. He also worked for the Altemps family in the commission for their family chapel in Santa Maria in Trastevere. The frieze depicts the ten divine punishments called down from God by Moses on the Egyptians and on the Jews exodus from captivity. These scenes are painted as faux tapestries, flanked by standing naked figures and putti holding floral festoons. In addition there are twenty-four allegorical personifications identified by a cartouche, which provide moral commentary on the biblical narration. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Born in Jesi, Cati moved to Rome, where he was known as a follower, if not pupil, of Michelangelo, and later of Federico Zuccari. He also worked for the Altemps family in the commission for their family chapel in Santa Maria in Trastevere. The frieze depicts the ten divine punishments called down from God by Moses on the Egyptians and on the Jews exodus from captivity. These scenes are painted as faux tapestries, flanked by standing naked figures and putti holding floral festoons. In addition there are twenty-four allegorical personifications identified by a cartouche, which provide moral commentary on the biblical narration. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A2-I-R-PAL-FS-A03
Image_OriginalVendor ID
7A2-I-R-PAL-FS-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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