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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Orchard under the Church of Bihorel
Work_PrefTitle
Orchard under the Church of Bihorel
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Paul Gauguin (French painter, 1848-1903)
Agent_Display
Paul Gauguin (French painter, 1848-1903)
Creator
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Location:
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repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. (CTB.1992.6)
Work_Location_Type_D isplay
repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. (CTB.1992.6)
Location
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Location Note:
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Paseo del Prado, 8
Work_LocationNotes
Paseo del Prado, 8
Location Note
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GPS:
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40.416111-3.695
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Date:
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1884 (creation)
Work_DateDisplay
1884 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Impressionist; Nineteenth century
Work_StylePeriodDisp lay
Impressionist; Nineteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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65.5 cm (height) x 46 cm (width)
Work_MeasurementDisp lay
65.5 cm (height) x 46 cm (width)
Measurements
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Subjects:
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agriculture; genre; landscape
Work_Image_SubjectDi splay
agriculture; genre; landscape
Subjects
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Description:
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Gauguin moved to Rouen with his wife and four of his five children in January 1884. He had given up his job in the Paris stock-exchange, and made the momentous decision to become a full-time painter. An Orchard under the Church of Bihorel is one of three canvases showing what must have been the orchard of the house he rented, with his children at play. Above them, on a steeply rising hill is the church of Notre-Dame-des-Anges . Stylistically, it reflects Pissarro's garden paintings of Pontoise that Gauguin knew intimately. But Gauguin also knew the work of Cézanne: the off-center tree, clearly the lynchpin of the design as well as the echoes of Cézanne's formalist, so-called constructive stroke attest to that. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Work_Description_Sou rce
Gauguin moved to Rouen with his wife and four of his five children in January 1884. He had given up his job in the Paris stock-exchange, and made the momentous decision to become a full-time painter. An Orchard under the Church of Bihorel is one of three canvases showing what must have been the orchard of the house he rented, with his children at play. Above them, on a steeply rising hill is the church of Notre-Dame-des-Anges . Stylistically, it reflects Pissarro's garden paintings of Pontoise that Gauguin knew intimately. But Gauguin also knew the work of Cézanne: the off-center tree, clearly the lynchpin of the design as well as the echoes of Cézanne's formalist, so-called constructive stroke attest to that. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-GAUGUIN-TBM-POB- A01
Image_OriginalVendor ID
7A1-GAUGUIN-TBM-POB- A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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