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Collection:
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ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
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Preferred Title:
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Annunciation
Work_PrefTitle
Annunciation
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Gentile Bellini (Italian painter, ca. 1429-1507)
Agent_Display
Gentile Bellini (Italian painter, ca. 1429-1507)
Creator
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Location:
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repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 38 (1930.9)
Work_Location_Type_D isplay
repository: Museo Thyssen-Bornemisza (Madrid, Madrid, Spain) Inv. no. 38 (1930.9)
Location
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Location Note:
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Paseo del Prado, 8
Work_LocationNotes
Paseo del Prado, 8
Location Note
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GPS:
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40.416111-3.695
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Date:
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ca. 1475 (creation)
Work_DateDisplay
ca. 1475 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint; tempera paint on wood panel
Work_MaterialDisplay
oil paint; tempera paint on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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133 cm (height) x 124 cm (width)
Work_MeasurementDisp lay
133 cm (height) x 124 cm (width)
Measurements
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Subjects:
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architecture; cityscape; New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
architecture; cityscape; New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Subjects
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Description:
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The composition of this Annunciation is different, partly due to its setting, which takes the form of an empty city in which the Angel Gabriel delivers the message to Mary. Both the structure and the pronounced angle of the façades of the buildings function to emphasize the perspective and increase the sense of depth. In this complex construction various authors have detected the influence of the painter’s brother-in-law, Andrea Mantegna, more specifically his work on the frescoes of the Eremitani chapel in Padua. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Work_Description_Sou rce
The composition of this Annunciation is different, partly due to its setting, which takes the form of an empty city in which the Angel Gabriel delivers the message to Mary. Both the structure and the pronounced angle of the façades of the buildings function to emphasize the perspective and increase the sense of depth. In this complex construction various authors have detected the influence of the painter’s brother-in-law, Andrea Mantegna, more specifically his work on the frescoes of the Eremitani chapel in Padua. (Source: Thyssen-Bornemisza Museum [website]; https://www.museothy ssen.org/en/)
Description
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Collection:
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Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
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Identifier:
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7A1-GBELLINI-TBM-TA- A01
Image_OriginalVendor ID
7A1-GBELLINI-TBM-TA- A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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