|
Collection:
|
|
ADJUNCT MODULE D: WORLD ART
LocalCollection
ADJUNCT MODULE D: WORLD ART
Collection
|
|
Preferred Title:
|
|
Field Painting
Work_PrefTitle
Field Painting
Preferred Title
|
|
Image View:
|
|
Overall view with attached objects
Image_Title
Overall view with attached objects
Image View
|
|
Creator:
|
|
Jasper Johns (American painter, born 1930)
Agent_Display
Jasper Johns (American painter, born 1930)
Creator
|
|
Location:
|
|
exhibition: Broad Museum (Los Angeles, California, United States)
Work_Location_Type_D isplay
exhibition: Broad Museum (Los Angeles, California, United States)
Location
|
|
Location Note:
|
|
Jasper Johns: 'Something Resembling Truth' (Exhibition, February 10-May 13, 2018)
Work_LocationNotes
Jasper Johns: 'Something Resembling Truth' (Exhibition, February 10-May 13, 2018)
Location Note
|
|
Date:
|
|
1963-1964 (creation)
Work_DateDisplay
1963-1964 (creation)
Date
|
|
Cultural Context:
|
|
American
Work_Culture
American
Cultural Context
|
|
Style Period:
|
|
Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
|
|
Work Type 1:
|
|
assemblage (sculpture)
Work_Worktype1
assemblage (sculpture)
Work Type 1
|
|
Work Type 2:
|
|
painting (visual work)
Work_Worktype2
painting (visual work)
Work Type 2
|
|
Classification:
|
|
Paintings
Work_Classification
Paintings
Classification
|
|
Material:
|
|
oil on canvas with objects
Work_MaterialDisplay
oil on canvas with objects
Material
|
|
Technique:
|
|
assemblage (sculpture technique); oil painting (technique)
Work_Technique
assemblage (sculpture technique); oil painting (technique)
Technique
|
|
Measurements:
|
|
183 cm (height)
Work_MeasurementDisp lay
183 cm (height)
Measurements
|
|
Subjects:
|
|
abstraction; contemporary (1960 to present); found objects; neon
Work_Image_SubjectDi splay
abstraction; contemporary (1960 to present); found objects; neon
Subjects
|
|
Description:
|
|
'Field Painting' pivots references both to art-making and Johns’ own career. The primary colors red, yellow, and blue are spelled out in letters hinged perpendicularly to the canvas, where they also appear in stencil-like doubles. Attached to them are various studio tools. The Savarin coffee tin and Ballantine beer can both allude to Johns’ studio paraphernalia and to his appropriation of them as motifs in his work. Passages of smeared and dripped paint, a footprint, light switch, and a neon “R” in red collude with other visual codes to multiply the possibility of associations. The neon is illuminated when the work is displayed. (Source: National Gallery of Art [website]; http://www.nga.gov/)
Work_Description_Sou rce
'Field Painting' pivots references both to art-making and Johns’ own career. The primary colors red, yellow, and blue are spelled out in letters hinged perpendicularly to the canvas, where they also appear in stencil-like doubles. Attached to them are various studio tools. The Savarin coffee tin and Ballantine beer can both allude to Johns’ studio paraphernalia and to his appropriation of them as motifs in his work. Passages of smeared and dripped paint, a footprint, light switch, and a neon “R” in red collude with other visual codes to multiply the possibility of associations. The neon is illuminated when the work is displayed. (Source: National Gallery of Art [website]; http://www.nga.gov/)
Description
|
|
Collection:
|
|
Archivision Adjunct Module D: World Art
LocalCollection
Archivision Adjunct Module D: World Art
Collection
|
|
Identifier:
|
|
7A1-JOHNS-SRT-FP64-A 02
Image_OriginalVendor ID
7A1-JOHNS-SRT-FP64-A 02
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
