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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Disputation of Saint Stephen
Work_PrefTitle
Disputation of Saint Stephen
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Vittore Carpaccio (Italian painter, ca. 1460-ca. 1526)
Agent_Display
Vittore Carpaccio (Italian painter, ca. 1460-ca. 1526)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) Inv. Reg. Cron. 241
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) Inv. Reg. Cron. 241
Location
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Location Note:
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On temporary loan to Uffizi
Work_LocationNotes
On temporary loan to Uffizi
Location Note
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Date:
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1514 (creation)
Work_DateDisplay
1514 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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147 cm (height) x 172 cm (width)
Work_MeasurementDisp lay
147 cm (height) x 172 cm (width)
Measurements
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Description:
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Part of the series of the life of Saint Stephen, four canvases for the Scuola di S Stefano, Venice (1511-1520). With the penetrating clarity of the light and brilliant architectural fantasy, mingling classical and oriental elements, the episode now in Milan is certainly the best of the cycle. Eastern scholars mix with the brothers of the School as they listen to St. Stephen's sermon. The loggia in the foreground is clearly modeled on the architecture of Pietro Lombardo. Against the totally imaginary architectural background, Carpaccio has given us a series of concrete and realistic portraits, probably of members of the confraternity. [The painting was photographed while on temporary loan at the Uffizi.] (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Part of the series of the life of Saint Stephen, four canvases for the Scuola di S Stefano, Venice (1511-1520). With the penetrating clarity of the light and brilliant architectural fantasy, mingling classical and oriental elements, the episode now in Milan is certainly the best of the cycle. Eastern scholars mix with the brothers of the School as they listen to St. Stephen's sermon. The loggia in the foreground is clearly modeled on the architecture of Pietro Lombardo. Against the totally imaginary architectural background, Carpaccio has given us a series of concrete and realistic portraits, probably of members of the confraternity. [The painting was photographed while on temporary loan at the Uffizi.] (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-CARP-UG-DSS-A01
Image_OriginalVendor ID
7A1-CARP-UG-DSS-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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