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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Large Still Life with Pumpkin
Work_PrefTitle
Large Still Life with Pumpkin
Preferred Title
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Alternate Title:
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Grande natura morta con la zucca
Work_AltTitle
Grande natura morta con la zucca
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Gino Severini (Italian painter, 1883-1966)
Agent_Display
Gino Severini (Italian painter, 1883-1966)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 5466
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 5466
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1917 (creation)
Work_DateDisplay
1917 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Cubist; Twentieth century
Work_StylePeriodDisp lay
Cubist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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92 cm (height) x 65 cm (width)
Work_MeasurementDisp lay
92 cm (height) x 65 cm (width)
Measurements
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Subjects:
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abstraction; still life
Work_Image_SubjectDi splay
abstraction; still life
Subjects
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Description:
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This is a typical example of Severini's work between 1916 and 1919 when he was exploring synthetic cubism according to two articles on cubist theory which he wrote at this time. In this painting the support surface of the objects is vertically inverted, the profiles and the shapes on the surface are multiplied and there is an insertion of painted parts with a trompe l'oeil effect. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
This is a typical example of Severini's work between 1916 and 1919 when he was exploring synthetic cubism according to two articles on cubist theory which he wrote at this time. In this painting the support surface of the objects is vertically inverted, the profiles and the shapes on the surface are multiplied and there is an insertion of painted parts with a trompe l'oeil effect. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-CARRA-SLP-A01
Image_OriginalVendor ID
7A1-CARRA-SLP-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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