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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Combat (Gladiators)
Work_PrefTitle
Combat (Gladiators)
Preferred Title
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Alternate Title:
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Combattimento (Gladiatori)
Work_AltTitle
Combattimento (Gladiatori)
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Giorgio de Chirico (Italian painter, 1888-1978)
Agent_Display
Giorgio de Chirico (Italian painter, 1888-1978)
Creator
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Location:
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repository: Museo del Novecento (Milan, Lombardy, Italy)
Work_Location_Type_D isplay
repository: Museo del Novecento (Milan, Lombardy, Italy)
Location
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Location Note:
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Piazza Duomo, 8; on loan from Collezione Boschi-Di Stefano
Work_LocationNotes
Piazza Duomo, 8; on loan from Collezione Boschi-Di Stefano
Location Note
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GPS:
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45.463611 9.190278
GPS
45.463611 9.190278
GPS
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Date:
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1928-1929 (creation)
Work_DateDisplay
1928-1929 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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human figure; military or war; mythology (Classical); Gladiators
Work_Image_SubjectDi splay
human figure; military or war; mythology (Classical); Gladiators
Subjects
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Description:
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The work is part of a series of sixty paintings on the theme of gladiators, which de Chirico painted between early 1927 and 1929. De Chirico’s main inspiration in this period was memory transformed and sublimated to become mythology. This is most effectively evoked in his only novel Hebdomeros (1929), which is rich in imagery and in its use of non-sequitur to convey the broken line of memories. The novel was hailed even by the artist’s detractors as a masterpiece and was intimately bound to his paintings of the period, such as the gladiator series commissioned by Rosenberg for the decoration of his Parisian home. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The work is part of a series of sixty paintings on the theme of gladiators, which de Chirico painted between early 1927 and 1929. De Chirico’s main inspiration in this period was memory transformed and sublimated to become mythology. This is most effectively evoked in his only novel Hebdomeros (1929), which is rich in imagery and in its use of non-sequitur to convey the broken line of memories. The novel was hailed even by the artist’s detractors as a masterpiece and was intimately bound to his paintings of the period, such as the gladiator series commissioned by Rosenberg for the decoration of his Parisian home. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-CHIRICO-B-A01
Image_OriginalVendor ID
7A1-CHIRICO-B-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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