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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Spirit of Autumn
Work_PrefTitle
Spirit of Autumn
Preferred Title
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Image View:
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Detail, fallen log in the stream
Image_Title
Detail, fallen log in the stream
Image View
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Creator:
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George Inness, Sr. (American painter, 1825-1894)
Agent_Display
George Inness, Sr. (American painter, 1825-1894)
Creator
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Location:
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repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.155
Work_Location_Type_D isplay
repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.155
Location
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Location Note:
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5600 Mayflower Hill; Lunder Collection
Work_LocationNotes
5600 Mayflower Hill; Lunder Collection
Location Note
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GPS:
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44.565-69.660833
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Date:
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1891 (creation)
Work_DateDisplay
1891 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Nineteenth century
Work_StylePeriodDisp lay
Nineteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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76.2 cm (height) x 114.3 cm (width)
Work_MeasurementDisp lay
76.2 cm (height) x 114.3 cm (width)
Measurements
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Subjects:
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landscape; Barbizon School; Emanuel Swedenborg
Work_Image_SubjectDi splay
landscape; Barbizon School; Emanuel Swedenborg
Subjects
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Description:
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Beginning in the late 1870s Inness turned to the thoughtful, personal, non-topographic landscapes that are the trademark of his late style. In many respects these landscapes were the result of his religious beliefs. Although still derived from the Barbizon painting he encountered in France, Inness’s late work is an effort to convert Swedenborgianism into art. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Beginning in the late 1870s Inness turned to the thoughtful, personal, non-topographic landscapes that are the trademark of his late style. In many respects these landscapes were the result of his religious beliefs. Although still derived from the Barbizon painting he encountered in France, Inness’s late work is an effort to convert Swedenborgianism into art. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-INNESS-CA-SA-A02
Image_OriginalVendor ID
7A1-INNESS-CA-SA-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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