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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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After the Bath
Work_PrefTitle
After the Bath
Preferred Title
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Image View:
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Overall view without frame; window reveals a sailboat (schooner) outside
Image_Title
Overall view without frame; window reveals a sailboat (schooner) outside
Image View
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Creator:
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Yasuo Kuniyoshi (American painter, 1889-1953)
Agent_Display
Yasuo Kuniyoshi (American painter, 1889-1953)
Creator
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Location:
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repository: Portland Museum of Art (Portland, Maine, United States) 1979.13.26
Work_Location_Type_D isplay
repository: Portland Museum of Art (Portland, Maine, United States) 1979.13.26
Location
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Location Note:
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7 Congress Square
Work_LocationNotes
7 Congress Square
Location Note
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GPS:
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43.653611-70.262222
GPS
43.653611-70.262222
GPS
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Date:
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1923 (creation)
Work_DateDisplay
1923 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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30 1/8 in (height) x 24 1/8 in (width)
Work_MeasurementDisp lay
30 1/8 in (height) x 24 1/8 in (width)
Measurements
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Subjects:
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portrait; seascape; Boats and boating; interior; woman; schooner
Work_Image_SubjectDi splay
portrait; seascape; Boats and boating; interior; woman; schooner
Subjects
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Description:
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In the 1920s, Kuniyoshi painted images that were more angular, somewhat Cubist style and a tilted plane that allowed him to paint the most detail for each object in his paintings. This tilted plane can be seen in the face of the woman in this work. In these early paintings, Kuniyoshi was painting from a combination of his memory and imagination (rather than from life), which is a Japanese mode of thinking about painting. The view of a schooner outside the window is also on a tilted plane. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
In the 1920s, Kuniyoshi painted images that were more angular, somewhat Cubist style and a tilted plane that allowed him to paint the most detail for each object in his paintings. This tilted plane can be seen in the face of the woman in this work. In these early paintings, Kuniyoshi was painting from a combination of his memory and imagination (rather than from life), which is a Japanese mode of thinking about painting. The view of a schooner outside the window is also on a tilted plane. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-KUNIYOSHI-AB-A01
Image_OriginalVendor ID
7A1-KUNIYOSHI-AB-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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