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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Still Life: The Joiner's Bench
Work_PrefTitle
Still Life: The Joiner's Bench
Preferred Title
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Alternate Title:
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Natura morta: il banco del falegname
Work_AltTitle
Natura morta: il banco del falegname
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Ottone Rosai (Italian painter, 1895-1957)
Agent_Display
Ottone Rosai (Italian painter, 1895-1957)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 5093
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 5093
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1914 (creation)
Work_DateDisplay
1914 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Futurist; Twentieth century
Work_StylePeriodDisp lay
Futurist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Work Type 2:
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collage (visual work)
Work_Worktype2
collage (visual work)
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvasboard
Work_MaterialDisplay
oil paint on canvasboard
Material
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Technique:
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collage (technique); oil painting (technique)
Work_Technique
collage (technique); oil painting (technique)
Technique
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Measurements:
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47.5 cm (height) x 70 cm (width)
Work_MeasurementDisp lay
47.5 cm (height) x 70 cm (width)
Measurements
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Subjects:
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still life; typography or calligraphy
Work_Image_SubjectDi splay
still life; typography or calligraphy
Subjects
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Description:
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During the years of his training, Rosai was fascinated by French painting and by artists such as Courbet, Daumier, Cézanne and above all Corot, who was inspired by the works exhibited in his first solo exhibition of 1913. In the same year, however, he met Ardengo Soffici and became acquainted with the Futurist movement, of which he shared a brief phase with works such as this, from 1914, inspired by the collage technique, with the abundant use of fragments and scraps of printed paper. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
During the years of his training, Rosai was fascinated by French painting and by artists such as Courbet, Daumier, Cézanne and above all Corot, who was inspired by the works exhibited in his first solo exhibition of 1913. In the same year, however, he met Ardengo Soffici and became acquainted with the Futurist movement, of which he shared a brief phase with works such as this, from 1914, inspired by the collage technique, with the abundant use of fragments and scraps of printed paper. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-ROSAI-SLCB-A01
Image_OriginalVendor ID
7A1-ROSAI-SLCB-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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