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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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October Twilight
Work_PrefTitle
October Twilight
Preferred Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Dwight William Tryon (American painter, 1849-1925)
Agent_Display
Dwight William Tryon (American painter, 1849-1925)
Creator
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Location:
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repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.275
Work_Location_Type_D isplay
repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.275
Location
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Location Note:
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5600 Mayflower Hill; Lunder Collection
Work_LocationNotes
5600 Mayflower Hill; Lunder Collection
Location Note
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GPS:
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44.565-69.660833
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Date:
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1915 (creation)
Work_DateDisplay
1915 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on panel
Work_MaterialDisplay
oil paint on panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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45.72 cm (height) x 70.49 cm (width)
Work_MeasurementDisp lay
45.72 cm (height) x 70.49 cm (width)
Measurements
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Subjects:
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landscape; American Impressionism
Work_Image_SubjectDi splay
landscape; American Impressionism
Subjects
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Description:
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Dwight Tryon became enamored with painting the character of one region: the countryside around his home in South Dartmouth, Massachusetts. In 1900 a critic wrote of the difficulty of describing Tryon’s paintings: “We should have to coin our adjectives as he mixes his colors . . . for his golden-rod is not actually golden, his grass, not actually green.” Tryon was never fazed by such criticism, believing his works to be deeply personal transcriptions of nature that were difficult for most viewers to appreciate. (Source: Colby Museum of Art [website]; http://www.colby.edu /museum/)
Work_Description_Sou rce
Dwight Tryon became enamored with painting the character of one region: the countryside around his home in South Dartmouth, Massachusetts. In 1900 a critic wrote of the difficulty of describing Tryon’s paintings: “We should have to coin our adjectives as he mixes his colors . . . for his golden-rod is not actually golden, his grass, not actually green.” Tryon was never fazed by such criticism, believing his works to be deeply personal transcriptions of nature that were difficult for most viewers to appreciate. (Source: Colby Museum of Art [website]; http://www.colby.edu /museum/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-TRYOND-CA-OT-A02
Image_OriginalVendor ID
7A1-TRYOND-CA-OT-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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