Media Information

 
 
 
Collection:
ADJUNCT MODULE D: WORLD ART
Preferred Title:
Grande Brigitte and Baron Samedi
Image View:
Overall view from front
Creator:
Gabriel‏ Bien-Aimé (Haitian sculptor, born 1951)
Location:
repository: Musée du Quai Branly-Jacques Chirac (Paris, Île-de-France, France) 73.1998.27.6
Location Note:
From Africa to the Americas: Face-to-Face Picasso, Past and Present (2018 exhibition)
Date:
1988 (creation)
Cultural Context:
Haitian
Style Period:
Caribbean; Haitian; Twentieth century
Work Type 1:
sculpture (visual work)
Classification:
Sculpture and Installations
Material:
sheet iron; rivets
Technique:
metalworking
Measurements:
90 cm (height) x 80 cm (width) x 35 cm (depth)
Subjects:
death or burial; funerary art; deities; Syncretism; Haiti; Vodou
Description:
Carved sheet metal sculpture of a woman wearing earrings and a necklace, surrounded by several other characters. At the upper left is a tree-like shape, from which several snakes escape. The Gédés (Guédé) are the family of Loa (spirits in Vodou) that embody the powers of death and fertility. Baron Samedi's wife, Grande-Brigitte (Maman Brigitte) has authority over all the cemeteries. Mother of all Gédés and all the dead, she is also a brilliant lawyer who is consulted for justice and reparation. Chef and father of all the Gédés, undisputed master of the cemeteries, Baron Samedi (Saturday) is a Loa (also called Iwa) to whom one speaks during the difficulties of the life. They have been syncretized with various Catholic saints. (Source: Musée du Quai Branly-Jacques Chirac [website]; http://www.quaibranl y.fr/en/)
Collection:
Archivision Adjunct Module D: World Art
Identifier:
7A1-BIENAIME-FAFFM-G B-A01
Rights:
© Scott Gilchrist, Archivision, Inc.

Grande Brigitte and Baron Samedi