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Collection:
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Catena-Historic Gardens and Landscapes Archive
Collection
Catena-Historic Gardens and Landscapes Archive
Collection
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Image No.:
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200118
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Title:
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Hypnerotomachie, ou Discours du Songe de Poliphile
WorkTitleDescription
Hypnerotomachie, ou Discours du Songe de Poliphile
Title
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View:
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[The fountain of Venus]
ReproTitleDescriptio n
[The fountain of Venus]
View
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Dates:
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1561
WorkDateDisplay
1561
Dates
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Location:
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Europe--France--Ile- de-France--Paris
WorkLocationDescript ion
Europe--France--Ile- de-France--Paris
Location
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Location Type:
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Creation
WorkLocationTypeDesc ription
Creation
Location Type
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Culture:
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French
WorkCultureDescripti on
French
Culture
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Period:
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Renaissance
WorkStylePeriodDescr iption
Renaissance
Period
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Creator:
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author
Colonna, Francesco
Attributed
1433/34-1527
Italian
WorkCreatorRole]|#Wo rkCreatorDisplayName ]|#WorkCreatorNameTy peDescription]|#Work CreatorDisplayDate]| #WorkCreatorNational ity
author
Colonna, Francesco
Attributed
1433/34-1527
Italian
Creator
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Materials:
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paper
WorkMaterialDescript ion
paper
Materials
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Techniques:
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woodcut (process)
WorkTechniqueDescrip tion
woodcut (process)
Techniques
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Measurements:
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33.8 x 22.2 cm
WorkMeasurementValue Text
33.8 x 22.2 cm
Measurements
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Repository:
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New York, NY, USA, Private Collection, New York
WorkRepositoryName
New York, NY, USA, Private Collection, New York
Repository
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Category:
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Villas
WorkCategory
Villas
Category
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Work Type:
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Books
WorkTypeDescription
Books
Work Type
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Subjects:
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Romances; Pleasure gardens; Dreams; Hexagons
ReproSubjectDescript ion
Romances; Pleasure gardens; Dreams; Hexagons
Subjects
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Work Notes:
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Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
WorkNotes
Collation: a6 A-Bb6 Cc8 = 164 ff., complete. With engraved woodcut title-page and 181 woodcuts illustrating the text, of which 13 are full-page, several crible initials in preliminary text, large 9-line floriated arabesque initials forming an acrostic throughout, Kerver's unicorn device (Renouard 515) on verso of final leaf. Folio, 338 x 222 mm, bound in nineteenth-century calf, marbled endpapers.
A superb French Edition of the most famous illustrated book of the Renaissance. A large number of these magnificent illustrations are dedicated to gardens. The designer of the original 1499 Aldus woodcuts remains unidentified although speculation has included artists such as Mantegna and Giovanni Bellini. Nor has the author of the Hypnerotomachia Poliphili been identified with certainty. It was probably written by Francesco Colonna, a Dominican from Treviso, in Latin about 1445. Its two main themes are the allegorical dream-journey of Poliphilus in search of his love Polia, and the praise of Antique art and culture.
Work Notes
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Image Notes:
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"The seventh column alone was hexagonal, and made from limpid Indian beryl the colour of oil, which reflected every object in reverse. It was directly opposite the middle of the two first columns; for every figure with an odd number of angles has an angle opposite the middle of each side. Having drawn a circle, construct an equilateral triangel on its radius, then draw a line from the centre through the middle of the side adjacent to the circumference; and that length gives the seven fold division of the circular figure."
ReproNotes
"The seventh column alone was hexagonal, and made from limpid Indian beryl the colour of oil, which reflected every object in reverse. It was directly opposite the middle of the two first columns; for every figure with an odd number of angles has an angle opposite the middle of each side. Having drawn a circle, construct an equilateral triangel on its radius, then draw a line from the centre through the middle of the side adjacent to the circumference; and that length gives the seven fold division of the circular figure."
Image Notes
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Rights Type:
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fair use
ReproRightsDetails
fair use
Rights Type
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