Gift of the Theresa Hak Kyung Cha Memorial Foundation
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Gift of the Theresa Hak Kyung Cha Memorial Foundation
Provenance
Object Type:
Documentation
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Documentation
Object Type
Heading:
Description
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Description
Heading
Notes:
A 6 page photocopy of a detailed description/ outline of Cha's performance "Reveille Dans La Brume" June 10, 1977. "Reveille Dans La Brume" was performed at the San Francisco Art Institute Annual, Fort Mason, San Francisco, CA. 1977; La Mamelle, San Francisco, CA. 1977.
coddpp
A 6 page photocopy of a detailed description/ outline of Cha's performance "Reveille Dans La Brume" June 10, 1977. "Reveille Dans La Brume" was performed at the San Francisco Art Institute Annual, Fort Mason, San Francisco, CA. 1977; La Mamelle, San Francisco, CA. 1977.
Notes
Notes:
As described in the text "Reveille Dans La Brume is a performance composing lap dissolve projections, synchronous interaction with them, pre-recorded audio tape, simultaneously performed live with voices, and controlled distribution of light. The title itself "Awakened in the Mist" alludes to elsewhere, source, or multi-gradations, levels in what seems singular in our perception, to articulate, to speculate upon dimensions made visible to us through suggestion, through induction, attempting to find some collective key, associations, that would result in a kind of a transformation in the audience, as well as the performer." The text also describes in detail the performance.
coddpp
As described in the text "Reveille Dans La Brume is a performance composing lap dissolve projections, synchronous interaction with them, pre-recorded audio tape, simultaneously performed live with voices, and controlled distribution of light. The title itself "Awakened in the Mist" alludes to elsewhere, source, or multi-gradations, levels in what seems singular in our perception, to articulate, to speculate upon dimensions made visible to us through suggestion, through induction, attempting to find some collective key, associations, that would result in a kind of a transformation in the audience, as well as the performer." The text also describes in detail the performance.
Notes
Notes:
See Museum #1992.4.122-126 / 185-187 / 203 -204 / 283 -289 / 449 / 543
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See Museum #1992.4.122-126 / 185-187 / 203 -204 / 283 -289 / 449 / 543