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Collection:
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Museum and the Online Archive of California
Collection
Museum and the Online Archive of California
Collection
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Creator Name:
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Cha, Theresa Hak Kyung
cdidoriperpersname
Cha, Theresa Hak Kyung
Creator Name
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Title:
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White Dust From Mongolia
cdiduniunittitle
White Dust From Mongolia
Title
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Collection Title Date:
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1971-1991
cseruniuniunitdate
1971-1991
Collection Title Date
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Date:
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1980
cdiduniunitdate
1980
Date
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Materials:
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Typewritten text on typing paper. 6 sheets of paper.
cdidphyphyphysfacet
Typewritten text on typing paper. 6 sheets of paper.
Materials
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Dimensions:
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w8.5 x h11 inches
cdidphydimdimensions
w8.5 x h11 inches
Dimensions
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Current Location:
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Berkeley Art Museum/Pacific Film Archive
crepcorcorpname
Berkeley Art Museum/Pacific Film Archive
Current Location
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Address:
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Berkeley, CA 94720
crepaddaddaddresslin e
Berkeley, CA 94720
Address
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Object ID:
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1992.4.82
cdiduniunitid
1992.4.82
Object ID
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Provenance:
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Gift of the Theresa Hak Kyung Cha Memorial Foundation
cadmcuspp
Gift of the Theresa Hak Kyung Cha Memorial Foundation
Provenance
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Object Type:
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Documentation
cdidphygengenreform
Documentation
Object Type
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Heading:
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Description
coddhead
Description
Heading
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Notes:
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In the typewritten text Cha describes the film as "a simultaneous account of a narrative, beginning at two separate points in Time. The two points function almost as two distinctive narratives, the "Times" overlap during the diagesis of the film and a final conversion of the two points are achieved to one complete superimposition, to one point in Time." Narrative I "begins in the Past, within the interior of memory itself. The memory materializes physically on the screen...the screen is the memory projected-the viewer "sees" physically, the memory images." Narrative II "begins in the Present, with the Telling and Retelling process of the "Recit."..(she) is at the moment of return to retrieve events past." The two Narratives merge in the end.
coddpp
In the typewritten text Cha describes the film as "a simultaneous account of a narrative, beginning at two separate points in Time. The two points function almost as two distinctive narratives, the "Times" overlap during the diagesis of the film and a final conversion of the two points are achieved to one complete superimposition, to one point in Time." Narrative I "begins in the Past, within the interior of memory itself. The memory materializes physically on the screen...the screen is the memory projected-the viewer "sees" physically, the memory images." Narrative II "begins in the Present, with the Telling and Retelling process of the "Recit."..(she) is at the moment of return to retrieve events past." The two Narratives merge in the end.
Notes
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Notes:
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See also museum #1992.4.22/81/83-96/ 104-105/281/405/409/ 427
coddpp
See also museum #1992.4.22/81/83-96/ 104-105/281/405/409/ 427
Notes
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Notes:
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See museum # 1992.4.281 for the rough script.
coddpp
See museum # 1992.4.281 for the rough script.
Notes
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Notes:
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The typewritten text is the original idea sketch for Cha's film "White Dust From Mongolia." The film was never completed. In the typewritten text Cha describes in detail the two narratives of the film, Narrative I and II.
coddpp
The typewritten text is the original idea sketch for Cha's film "White Dust From Mongolia." The film was never completed. In the typewritten text Cha describes in detail the two narratives of the film, Narrative I and II.
Notes
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Collection Description:
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hyperlink
Collection Description
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METS ID:
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ark:/13030/tf3j49n5t 2
cpoi
ark:/13030/tf3j49n5t 2
METS ID
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