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Collection:
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Archivision Base to Module 13
LocalCollection
Archivision Base to Module 13
Collection
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Preferred Title:
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Automne
Work_PrefTitle
Automne
Preferred Title
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Alternate Title:
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Autumn
Work_AltTitle
Autumn
Alternate Title
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Image View:
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Legs and feet, close view
Image_Title
Legs and feet, close view
Image View
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Creator:
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Henri Laurens (French sculptor, 1885-1954)
Agent_Display
Henri Laurens (French sculptor, 1885-1954)
Creator
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Location:
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repository: University of California, Los Angeles (UCLA) (Los Angeles, California, United States)
Work_Location_Type_D isplay
repository: University of California, Los Angeles (UCLA) (Los Angeles, California, United States)
Location
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Location Note:
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Gift of David E. Bright, 1967
Work_LocationNotes
Gift of David E. Bright, 1967
Location Note
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GPS:
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34.075023-118.440268
GPS
34.075023-118.440268
GPS
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Date:
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1948 (creation)
Work_DateDisplay
1948 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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bronze
Work_MaterialDisplay
bronze
Material
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Technique:
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casting (process)
Work_Technique
casting (process)
Technique
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Measurements:
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80 x 57 x 170 cm (length)
Work_MeasurementDisp lay
80 x 57 x 170 cm (length)
Measurements
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Relation Work:
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part of Hammer Museum, Franklin D. Murphy Sculpture Garden
RelationType1_Work_R elatedWork1
part of Hammer Museum, Franklin D. Murphy Sculpture Garden
Relation Work
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Subjects:
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abstraction or non-objective; allegorical; figure, female; nymph; dryad
Work_Image_SubjectDi splay
abstraction or non-objective; allegorical; figure, female; nymph; dryad
Subjects
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Description:
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In another sculpture, [Water Sprites (bronze, h. 800 mm, 1933; Paris, Pompidou)], he returned to one of his favourite subjects, that of the reclining nude supported on one arm, repeated here to give the effect of two successive waves and also calling to mind the nymphs or naiads sculpted on the edges of Baroque fountains. Like the series of Bathers painted by Picasso at Dinard in 1928-1929 or certain sculptures by Hans Arp, Laurens?s figures obey only an organic rhythm, which swells or lifts them, hollows or magnifies them in a joyful impulse. Source: Grove Art Online; http://www.oxfordar…
Work_Description_Sou rce
In another sculpture, [Water Sprites (bronze, h. 800 mm, 1933; Paris, Pompidou)], he returned to one of his favourite subjects, that of the reclining nude supported on one arm, repeated here to give the effect of two successive waves and also calling to mind the nymphs or naiads sculpted on the edges of Baroque fountains. Like the series of Bathers painted by Picasso at Dinard in 1928-1929 or certain sculptures by Hans Arp, Laurens?s figures obey only an organic rhythm, which swells or lifts them, hollows or magnifies them in a joyful impulse. Source: Grove Art Online; http://www.oxfordar…Description
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Collection:
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Archivision Addition Module Four
LocalCollection
Archivision Addition Module Four
Collection
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Identifier:
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6A1-LHE-A-A7
Image_OriginalVendor ID
6A1-LHE-A-A7
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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