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Collection:
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Archivision Base to Module 13
LocalCollection
Archivision Base to Module 13
Collection
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Preferred Title:
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Arch of Constantine: Constantinian Reliefs
Work_PrefTitle
Arch of Constantine: Constantinian Reliefs
Preferred Title
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Image View:
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Frieze, south side, Battle of Milvian Bridge with Constantine's army victorious and the enemy drowning in the river Tiber
Image_Title
Frieze, south side, Battle of Milvian Bridge with Constantine's army victorious and the enemy drowning in the river Tiber
Image View
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Creator:
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unknown (Ancient Roman)
Agent_Display
unknown (Ancient Roman)
Creator
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Location:
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site: Rome, Lazio, Italy
Work_Location_Type_D isplay
site: Rome, Lazio, Italy
Location
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Location Note:
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between the Colosseum and the Palatine Hill
Work_LocationNotes
between the Colosseum and the Palatine Hill
Location Note
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GPS:
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41.889722 12.490833
GPS
41.889722 12.490833
GPS
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Date:
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312-315 (creation)
Work_DateDisplay
312-315 (creation)
Date
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Cultural Context:
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Roman
Work_Culture
Roman
Cultural Context
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Style Period:
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Imperial (Roman)
Work_StylePeriodDisp lay
Imperial (Roman)
Style Period
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Work Type 1:
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relief (sculpture)
Work_Worktype1
relief (sculpture)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Relation Work:
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part of Arch of Constantine
RelationType1_Work_R elatedWork1
part of Arch of Constantine
Relation Work
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Subjects:
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architecture; military or war; rulers and leaders; Constantine, Emperor of Rome
Work_Image_SubjectDi splay
architecture; military or war; rulers and leaders; Constantine, Emperor of Rome
Subjects
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Description:
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The main sculpture from the time of Constantine (as opposed to spolia, re-used elements) is the "historical" relief frieze running around the monument under the round panels, one strip above each lateral archway and at the small sides of the arch. These reliefs depict scenes from the Italian campaign of Constantine against Maxentius which was the reason for the construction of the monument. The frieze starts at the western side with the "Departure from Milan". It continues on the southern, "outward" looking face, with the siege of Verona, which was of great importance to the war in Northern Italy; also on that face, the Battle of Milvian Bridge with Constantine's army victorious and the enemy drowning in the river Tiber. On the eastern side, Constantine and his army enter Rome; the artist seems to have avoided using imagery of the triumph, as Constantine probably did not want to be shown triumphant over the Eternal City. On the northern face, looking "towards" the city, two strips with the emperor's actions a
Work_Description_Sou rce
The main sculpture from the time of Constantine (as opposed to spolia, re-used elements) is the "historical" relief frieze running around the monument under the round panels, one strip above each lateral archway and at the small sides of the arch. These reliefs depict scenes from the Italian campaign of Constantine against Maxentius which was the reason for the construction of the monument. The frieze starts at the western side with the "Departure from Milan". It continues on the southern, "outward" looking face, with the siege of Verona, which was of great importance to the war in Northern Italy; also on that face, the Battle of Milvian Bridge with Constantine's army victorious and the enemy drowning in the river Tiber. On the eastern side, Constantine and his army enter Rome; the artist seems to have avoided using imagery of the triumph, as Constantine probably did not want to be shown triumphant over the Eternal City. On the northern face, looking "towards" the city, two strips with the emperor's actions a
Description
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Collection:
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Archivision Base Collection
LocalCollection
Archivision Base Collection
Collection
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Identifier:
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1A3-R-R-AC-2-F9
Image_OriginalVendor ID
1A3-R-R-AC-2-F9
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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