|
Collection:
|
|
ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
|
|
Preferred Title:
|
|
Annunciation (altarpiece from Orsanmichelle)
Work_PrefTitle
Annunciation (altarpiece from Orsanmichelle)
Preferred Title
|
|
Image View:
|
|
Detail, a standing Mary receives the words of the angel with the dove of the Holy Spirit
Image_Title
Detail, a standing Mary receives the words of the angel with the dove of the Holy Spirit
Image View
|
|
Creator:
|
|
attributed to Mariotto di Nardo (Italian painter, active ca. 1394-1424); unknown (Italian)
Agent_Display
attributed to Mariotto di Nardo (Italian painter, active ca. 1394-1424); unknown (Italian)
Creator
|
|
Location:
|
|
repository: Galleria dell'Accademia (Florence, Tuscany, Italy) Inv. 1890 no. 6098
Work_Location_Type_D isplay
repository: Galleria dell'Accademia (Florence, Tuscany, Italy) Inv. 1890 no. 6098
Location
|
|
Location Note:
|
|
58-60 via Ricasoli
Work_LocationNotes
58-60 via Ricasoli
Location Note
|
|
GPS:
|
|
43.77694 11.25873
GPS
43.77694 11.25873
GPS
|
|
Date:
|
|
ca. 1350; additions, ca. 1400 (creation)
Work_DateDisplay
ca. 1350; additions, ca. 1400 (creation)
Date
|
|
Cultural Context:
|
|
Italian
Work_Culture
Italian
Cultural Context
|
|
Style Period:
|
|
Gothic (Medieval)
Work_StylePeriodDisp lay
Gothic (Medieval)
Style Period
|
|
Work Type 1:
|
|
altarpiece
Work_Worktype1
altarpiece
Work Type 1
|
|
Work Type 2:
|
|
panel painting
Work_Worktype2
panel painting
Work Type 2
|
|
Classification:
|
|
painting
Work_Classification
painting
Classification
|
|
Material:
|
|
tempera; gilding; wood panel
Work_MaterialDisplay
tempera; gilding; wood panel
Material
|
|
Technique:
|
|
gilding (technique); painting and painting techniques
Work_Technique
gilding (technique); painting and painting techniques
Technique
|
|
Description:
|
|
Originally the painting hung on the pilaster assigned to the Carpenter Guild in Orsanmichele; the guild protectoress was the Virgin of the Annunciation. The iconography of the Annunciation with the figure of Mary standing is relatively rare and first appears in the 12th century. The cusp or pinnacle panels are the Prophets Isaiah and Daniel; the predella panels are the Adoration of the Shepherds, Adoration of the Magi and the Presentation in the Temple. The main scene was painted ca. 1350 in the style of Andrea Buonaiuti, while the two prophets above and the predella are later, attributed to an early phase of Mariotto di Nardo (ca. 1388-1424). (Source: Galleria dell'Accademia (Florence) [website]; http://www.accademia .org/)
Work_Description_Sou rce
Originally the painting hung on the pilaster assigned to the Carpenter Guild in Orsanmichele; the guild protectoress was the Virgin of the Annunciation. The iconography of the Annunciation with the figure of Mary standing is relatively rare and first appears in the 12th century. The cusp or pinnacle panels are the Prophets Isaiah and Daniel; the predella panels are the Adoration of the Shepherds, Adoration of the Magi and the Presentation in the Temple. The main scene was painted ca. 1350 in the style of Andrea Buonaiuti, while the two prophets above and the predella are later, attributed to an early phase of Mariotto di Nardo (ca. 1388-1424). (Source: Galleria dell'Accademia (Florence) [website]; http://www.accademia .org/)
Description
|
|
Collection:
|
|
Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
|
|
Identifier:
|
|
7A3-M-AG-AO-A06
Image_OriginalVendor ID
7A3-M-AG-AO-A06
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
