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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Atlas Slave
Work_PrefTitle
Atlas Slave
Preferred Title
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Alternate Title:
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Atlas Captive
Work_AltTitle
Atlas Captive
Alternate Title
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Image View:
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Overall view from back right
Image_Title
Overall view from back right
Image View
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Creator:
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Michelangelo Buonarroti (Italian sculptor, 1475-1564)
Agent_Display
Michelangelo Buonarroti (Italian sculptor, 1475-1564)
Creator
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Location:
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repository: Galleria dell'Accademia (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Galleria dell'Accademia (Florence, Tuscany, Italy)
Location
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Location Note:
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58-60 via Ricasoli
Work_LocationNotes
58-60 via Ricasoli
Location Note
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GPS:
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43.77694 11.25873
GPS
43.77694 11.25873
GPS
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Date:
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ca. 1530-1534 (creation)
Work_DateDisplay
ca. 1530-1534 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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277 cm (height)
Work_MeasurementDisp lay
277 cm (height)
Measurements
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Relation Work:
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designedFor Tomb of Julius II
RelationType1_Work_R elatedWork1
designedFor Tomb of Julius II
Relation Work
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Description:
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One of six slave or captive figures, originally personifying the Liberal Arts, planned for the tomb of Pope Julius II. The group of four slaves at the Accademia are from a significantly different version of the tomb project started in 1516. These are part of his unfinished works called the 'non-finito'; the four slaves were once incorporated by Bernardo Buontalenti into the rough masonry of a grotto in the Boboli Gardens in Florence (replicas in situ). This male nude seems to be carrying a huge weight on his head. Hence he is named after Atlas, the primordial Titan who held up the entire world on his shoulders. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
One of six slave or captive figures, originally personifying the Liberal Arts, planned for the tomb of Pope Julius II. The group of four slaves at the Accademia are from a significantly different version of the tomb project started in 1516. These are part of his unfinished works called the 'non-finito'; the four slaves were once incorporated by Bernardo Buontalenti into the rough masonry of a grotto in the Boboli Gardens in Florence (replicas in situ). This male nude seems to be carrying a huge weight on his head. Hence he is named after Atlas, the primordial Titan who held up the entire world on his shoulders. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-MB-AG-TA-A08
Image_OriginalVendor ID
7A1-MB-AG-TA-A08
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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