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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Foresteria Lunettes: Beato Ambrogio Sansedoni and Four Dominican Saints
Work_PrefTitle
Foresteria Lunettes: Beato Ambrogio Sansedoni and Four Dominican Saints
Preferred Title
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Image View:
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Detail, Saint Peter Martyr with the wound on his head (his attribute)
Image_Title
Detail, Saint Peter Martyr with the wound on his head (his attribute)
Image View
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Creator:
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Fra Bartolommeo (Italian painter, 1472-1517)
Agent_Display
Fra Bartolommeo (Italian painter, 1472-1517)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
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Location Note:
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Convent of San Marco; Piazza San Marco, 1
Work_LocationNotes
Convent of San Marco; Piazza San Marco, 1
Location Note
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GPS:
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43.778664 11.259584
GPS
43.778664 11.259584
GPS
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Date:
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ca. 1511-1512 (creation)
Work_DateDisplay
ca. 1511-1512 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Measurements:
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56-61 cm (height, approx.) x 113-118 cm (width, approx.)
Work_MeasurementDisp lay
56-61 cm (height, approx.) x 113-118 cm (width, approx.)
Measurements
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Description:
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Baccio (a Tuscan diminutive for Bartolommeo) della Porta took Dominican orders and the name Fra Bartolommeo in 1501, and joined San Marco’s congregation. The five lunettes over the Foresetiera (guest quarters, or hospice) doors attributed to Bartolommeo represent the Beato Ambrogio Sansedoni (holding a model of the city of Siena) and four Dominican saints: Vincent Ferrer, pointing to a symbol of Christ as judge; Thomas Aquinas, with a book; Peter Martyr, with the wound in his head; and Dominic, holding a lily and bidding silence. The lunettes are not recorded until 1736. They have usually been regarded as works of Fra Bartolommeo’s last years (1514-1517), but an earlier dating (1511-1512) has recently been suggested. Restored in 1986-1987. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Work_Description_Sou rce
Baccio (a Tuscan diminutive for Bartolommeo) della Porta took Dominican orders and the name Fra Bartolommeo in 1501, and joined San Marco’s congregation. The five lunettes over the Foresetiera (guest quarters, or hospice) doors attributed to Bartolommeo represent the Beato Ambrogio Sansedoni (holding a model of the city of Siena) and four Dominican saints: Vincent Ferrer, pointing to a symbol of Christ as judge; Thomas Aquinas, with a book; Peter Martyr, with the wound in his head; and Dominic, holding a lily and bidding silence. The lunettes are not recorded until 1736. They have usually been regarded as works of Fra Bartolommeo’s last years (1514-1517), but an earlier dating (1511-1512) has recently been suggested. Restored in 1986-1987. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-FC-CSM-SPM-A02
Image_OriginalVendor ID
7A1-FC-CSM-SPM-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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