|
Collection:
|
|
ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
|
|
Preferred Title:
|
|
Last Supper
Work_PrefTitle
Last Supper
Preferred Title
|
|
Image View:
|
|
Detail, glassware with water and wine and grapes on the table
Image_Title
Detail, glassware with water and wine and grapes on the table
Image View
|
|
Creator:
|
|
Domenico Ghirlandaio (Italian painter, 1449-1494)
Agent_Display
Domenico Ghirlandaio (Italian painter, 1449-1494)
Creator
|
|
Location:
|
|
repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
|
|
Location Note:
|
|
Convent of San Marco; Piazza San Marco, 1
Work_LocationNotes
Convent of San Marco; Piazza San Marco, 1
Location Note
|
|
GPS:
|
|
43.778664 11.259584
GPS
43.778664 11.259584
GPS
|
|
Date:
|
|
1486 (creation)
Work_DateDisplay
1486 (creation)
Date
|
|
Cultural Context:
|
|
Italian
Work_Culture
Italian
Cultural Context
|
|
Style Period:
|
|
Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
|
|
Work Type 1:
|
|
fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
|
|
Classification:
|
|
painting
Work_Classification
painting
Classification
|
|
Material:
|
|
pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
|
|
Technique:
|
|
fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
|
|
Measurements:
|
|
420 cm (height) x 780 cm (width)
Work_MeasurementDisp lay
420 cm (height) x 780 cm (width)
Measurements
|
|
Description:
|
|
This is the last of three versions of the Last Supper which Ghirlandaio painting in refectories in Florence; the other versions are in the Convent of the Ognissanti (1480) and the Badia di Passignano (1476). They are very similar and are indebted to the version Andrea del Castagno painted 30 years earlier in the refectory of Sant'Apollonia. The apostles sit in a shallow U-shaped setting, with only the two flanking apostles sitting at a 90 degree angle with the others. John the Apostle at Christ's left has fallen to sleep. Judas sits apart on the near side of the table. Unlike Castagno, Ghirlandaio opened his composition to a view of the outdoors with an orchards with birds. He also integrated the real architecture with the illusionary space. This use of space became a hallmark of his mature style. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
This is the last of three versions of the Last Supper which Ghirlandaio painting in refectories in Florence; the other versions are in the Convent of the Ognissanti (1480) and the Badia di Passignano (1476). They are very similar and are indebted to the version Andrea del Castagno painted 30 years earlier in the refectory of Sant'Apollonia. The apostles sit in a shallow U-shaped setting, with only the two flanking apostles sitting at a 90 degree angle with the others. John the Apostle at Christ's left has fallen to sleep. Judas sits apart on the near side of the table. Unlike Castagno, Ghirlandaio opened his composition to a view of the outdoors with an orchards with birds. He also integrated the real architecture with the illusionary space. This use of space became a hallmark of his mature style. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
|
|
Collection:
|
|
Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
|
|
Identifier:
|
|
7A1-GHI-CSM-LS-C03
Image_OriginalVendor ID
7A1-GHI-CSM-LS-C03
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
