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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Honour Triumphant over Falsehood
Work_PrefTitle
Honour Triumphant over Falsehood
Preferred Title
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Alternate Title:
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Honor Triumphant over Falsehood
Work_AltTitle
Honor Triumphant over Falsehood
Alternate Title
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Image View:
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Overall view from the front of figure of Honour
Image_Title
Overall view from the front of figure of Honour
Image View
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Creator:
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Vincenzo Danti (Italian sculptor, 1530-1576)
Agent_Display
Vincenzo Danti (Italian sculptor, 1530-1576)
Creator
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Location:
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repository: Museo Nazionale del Bargello (Florence, Tuscany, Italy) Inv. 3 S
Work_Location_Type_D isplay
repository: Museo Nazionale del Bargello (Florence, Tuscany, Italy) Inv. 3 S
Location
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Location Note:
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Via del Proconsolo, 4
Work_LocationNotes
Via del Proconsolo, 4
Location Note
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GPS:
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43.770423 11.257947
GPS
43.770423 11.257947
GPS
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Date:
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1561 (creation)
Work_DateDisplay
1561 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style)
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style)
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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187 cm (height)
Work_MeasurementDisp lay
187 cm (height)
Measurements
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Description:
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Vincenzo Danti was a goldsmith from Perugia and known more for work in bronze. He may also have been associated with Baccio Bandinelli during his first years in Florence, which would have given him the opportunity to learn to carve marble. Danti carved his group Honour Triumphant over Falsehood for Cosimo I de’ Medici’s chamberlain, the fellow Perugian Sforza Almeni. This is one of the finest works of 16th-century Italian sculpture and Danti’s best work in marble. It is fully in the round and meant to be viewed from all angles. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Vincenzo Danti was a goldsmith from Perugia and known more for work in bronze. He may also have been associated with Baccio Bandinelli during his first years in Florence, which would have given him the opportunity to learn to carve marble. Danti carved his group Honour Triumphant over Falsehood for Cosimo I de’ Medici’s chamberlain, the fellow Perugian Sforza Almeni. This is one of the finest works of 16th-century Italian sculpture and Danti’s best work in marble. It is fully in the round and meant to be viewed from all angles. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-DVI-MB-HTD-A01
Image_OriginalVendor ID
7A1-DVI-MB-HTD-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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