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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Galleria Riccardiana Ceiling (Long Gallery)
Work_PrefTitle
Galleria Riccardiana Ceiling (Long Gallery)
Preferred Title
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Image View:
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Detail, South wall, Adonis killed by the boar; the boar is chased by the dogs of Fidelity
Image_Title
Detail, South wall, Adonis killed by the boar; the boar is chased by the dogs of Fidelity
Image View
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Creator:
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Luca Giordano (Italian painter, 1634-1705)
Agent_Display
Luca Giordano (Italian painter, 1634-1705)
Creator
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Location:
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repository: Palazzo Medici-Riccardi (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Palazzo Medici-Riccardi (Florence, Tuscany, Italy)
Location
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Location Note:
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Via Camillo Cavour, 3
Work_LocationNotes
Via Camillo Cavour, 3
Location Note
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GPS:
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43.7752 11.255429
GPS
43.7752 11.255429
GPS
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Date:
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ca. 1682-1686 (creation)
Work_DateDisplay
ca. 1682-1686 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Description:
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Giordano won the commission from Marchese Francesco Riccardi (1648-1719) to decorate both the library and the gallery of the Palazzo Medici-Riccardi, Florence. He began to work on the vault of the gallery, but then returned to Naples (1683-1684), completing the ceiling between 1685 and 1686. The theme of this iconographically complex ceiling unites an Allegory of Human Progress with an Allegory of the Medici Family, the previous owners of the palace. In the center of the ceiling, in a burst of light, is an Apotheosis of the Medici; along the ceiling’s cove the idea of progress is conveyed through mythological scenes (set in landscapes) that are fresh and idyllic in mood and deeply influenced by Cortona’s radiant frescoes in the Sala della Stufa in the Palazzo Pitti. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Giordano won the commission from Marchese Francesco Riccardi (1648-1719) to decorate both the library and the gallery of the Palazzo Medici-Riccardi, Florence. He began to work on the vault of the gallery, but then returned to Naples (1683-1684), completing the ceiling between 1685 and 1686. The theme of this iconographically complex ceiling unites an Allegory of Human Progress with an Allegory of the Medici Family, the previous owners of the palace. In the center of the ceiling, in a burst of light, is an Apotheosis of the Medici; along the ceiling’s cove the idea of progress is conveyed through mythological scenes (set in landscapes) that are fresh and idyllic in mood and deeply influenced by Cortona’s radiant frescoes in the Sala della Stufa in the Palazzo Pitti. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Image Description:
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Adonis, enamoured of Venus and conquered by Carnal Love, lies mortally wounded by the boar sent by Mars. Diana, as the personification of Divine Love, chases away the boar, symbol of lust, with the help of the dogs of Fidelity.
Image_Description
Adonis, enamoured of Venus and conquered by Carnal Love, lies mortally wounded by the boar sent by Mars. Diana, as the personification of Divine Love, chases away the boar, symbol of lust, with the help of the dogs of Fidelity.
Image Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-GIOR-PM-GR-M02
Image_OriginalVendor ID
7A1-GIOR-PM-GR-M02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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