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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Adoration of the Christ Child with St Romuald and the Infant John the Baptist
Work_PrefTitle
Adoration of the Christ Child with St Romuald and the Infant John the Baptist
Preferred Title
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Alternate Title:
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Adoration in the Forest
Work_AltTitle
Adoration in the Forest
Alternate Title
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Image View:
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Overall view without frame (and gray background)
Image_Title
Overall view without frame (and gray background)
Image View
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Creator:
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workshop of Filippo Lippi (Italian painter, ca. 1406-1469)
Agent_Display
workshop of Filippo Lippi (Italian painter, ca. 1406-1469)
Creator
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Location:
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repository: Palazzo Medici-Riccardi (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Palazzo Medici-Riccardi (Florence, Tuscany, Italy)
Location
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Location Note:
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Via Camillo Cavour, 3, Magi Chapel
Work_LocationNotes
Via Camillo Cavour, 3, Magi Chapel
Location Note
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GPS:
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43.7752 11.255429
GPS
43.7752 11.255429
GPS
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Date:
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original, ca. 1459 (creation)
Work_DateDisplay
original, ca. 1459 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Work Type 2:
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altarpiece
Work_Worktype2
altarpiece
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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tempera on panel
Work_MaterialDisplay
tempera on panel
Material
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Technique:
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gilding (technique); painting and painting techniques
Work_Technique
gilding (technique); painting and painting techniques
Technique
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Measurements:
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127 cm (height) x 116 cm (width)
Work_MeasurementDisp lay
127 cm (height) x 116 cm (width)
Measurements
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Description:
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For the Magi Chapel, Filippo Lippi, an artist in great favor with Cosimo il Vecchio de’ Medici, painted the altarpiece, now replaced by a copy from the period attributed to Lippi’s own workshop, while the original is in the State Museum of Berlin (Gemäldegalerie). From the 1450s Lippi developed the theme of the Virgin adoring the Christ Child in a woodland setting. The complicated iconography with the added saints is perhaps expressive of the pietism of Piero de’ Medici and his wife, Lucrezia Tornabuoni. Saint Romuald is called Saint Bernard in some references. (Source: Palazzo Medici-Riccardi [website]; http://www.palazzo-m edici.it/)
Work_Description_Sou rce
For the Magi Chapel, Filippo Lippi, an artist in great favor with Cosimo il Vecchio de’ Medici, painted the altarpiece, now replaced by a copy from the period attributed to Lippi’s own workshop, while the original is in the State Museum of Berlin (Gemäldegalerie). From the 1450s Lippi developed the theme of the Virgin adoring the Christ Child in a woodland setting. The complicated iconography with the added saints is perhaps expressive of the pietism of Piero de’ Medici and his wife, Lucrezia Tornabuoni. Saint Romuald is called Saint Bernard in some references. (Source: Palazzo Medici-Riccardi [website]; http://www.palazzo-m edici.it/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-LIPPI-AOC-A03
Image_OriginalVendor ID
7A1-LIPPI-AOC-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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