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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Granduca Madonna
Work_PrefTitle
Granduca Madonna
Preferred Title
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Alternate Title:
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Madonna and Child
Work_AltTitle
Madonna and Child
Alternate Title
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Image View:
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Detail, upper figure of Mary and Child (without frame, with gray background)
Image_Title
Detail, upper figure of Mary and Child (without frame, with gray background)
Image View
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Creator:
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Raphael (Italian painter, 1483-1520)
Agent_Display
Raphael (Italian painter, 1483-1520)
Creator
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Location:
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repository: Palazzo Pitti (Florence, Tuscany, Italy) N. Inv. 178
Work_Location_Type_D isplay
repository: Palazzo Pitti (Florence, Tuscany, Italy) N. Inv. 178
Location
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Location Note:
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Piazza Pitti, 1; Palatine Gallery
Work_LocationNotes
Piazza Pitti, 1; Palatine Gallery
Location Note
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GPS:
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43.76526 11.25029
GPS
43.76526 11.25029
GPS
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Date:
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1505-1506 (creation)
Work_DateDisplay
1505-1506 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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84.4 cm (height) x 55.9 cm (width)
Work_MeasurementDisp lay
84.4 cm (height) x 55.9 cm (width)
Measurements
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Description:
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Between 1504 and 1508, while in Florence, Raphael received important commissions for portraits and for domestic devotional paintings of the Virgin and Child (larger in format than such works generally were elsewhere in Italy). The Madonna del Granduca shows the influence of Leonardo. The simple composition is a prototype for the Madonnas of Raphael's last Florentine period. The figures of the Virgin and Child emerge from a dark background (an element evidently derived from Leonardo). The painting belonged to the 17th century Florentine painter, Carlo Dolci, and then to Grand Duke Ferdinand III of Lorraine from whom its name derives. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Between 1504 and 1508, while in Florence, Raphael received important commissions for portraits and for domestic devotional paintings of the Virgin and Child (larger in format than such works generally were elsewhere in Italy). The Madonna del Granduca shows the influence of Leonardo. The simple composition is a prototype for the Madonnas of Raphael's last Florentine period. The figures of the Virgin and Child emerge from a dark background (an element evidently derived from Leonardo). The painting belonged to the 17th century Florentine painter, Carlo Dolci, and then to Grand Duke Ferdinand III of Lorraine from whom its name derives. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-RS-PG-TGN-A02
Image_OriginalVendor ID
7A1-RS-PG-TGN-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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