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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Predella Panel with Scenes from the Life of Saint Benedict
Work_PrefTitle
Predella Panel with Scenes from the Life of Saint Benedict
Preferred Title
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Alternate Title:
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St. Benedict at Prayer; St. Benedict Miraculously Repairs His Nurse's Broken Sieve; St. Benedict Meets King Totila
Work_AltTitle
St. Benedict at Prayer; St. Benedict Miraculously Repairs His Nurse's Broken Sieve; St. Benedict Meets King Totila
Alternate Title
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Image View:
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Detail, St. Benedict Meets King Totila; the king's army and camp
Image_Title
Detail, St. Benedict Meets King Totila; the king's army and camp
Image View
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Creator:
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attributed to Neroccio di Bartolommeo de' Landi (Italian painter, 1447-1500)
Agent_Display
attributed to Neroccio di Bartolommeo de' Landi (Italian painter, 1447-1500)
Creator
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Location:
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repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 1602
Work_Location_Type_D isplay
repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 1602
Location
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Location Note:
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Piazzale degli Uffizi
Work_LocationNotes
Piazzale degli Uffizi
Location Note
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GPS:
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43.768639 11.255214
GPS
43.768639 11.255214
GPS
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Date:
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ca. 1480 (creation)
Work_DateDisplay
ca. 1480 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Work Type 2:
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predella
Work_Worktype2
predella
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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tempera paint on wood panel
Work_MaterialDisplay
tempera paint on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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28 cm (height) x 193 cm (width)
Work_MeasurementDisp lay
28 cm (height) x 193 cm (width)
Measurements
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Description:
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This is a predella panel now separated from an (unknown) altarpiece. Variously attributed to Neroccio de Landi or to Francesco di Giorgio Martini, it may be linked to documents dated 1481 that show that Neroccio was busy painting an altarpiece commissioned by Giannino de' Bernardi, the abbot of San Salvatore a Sesto di Moriano near Lucca. The intriguing landscapes and cityscape lend a fairytale atmosphere. The painting entered the Uffizi Gallery in 1780. (Source: Uffizi Gallery [website]; https://www.virtualu ffizi.com/)
Work_Description_Sou rce
This is a predella panel now separated from an (unknown) altarpiece. Variously attributed to Neroccio de Landi or to Francesco di Giorgio Martini, it may be linked to documents dated 1481 that show that Neroccio was busy painting an altarpiece commissioned by Giannino de' Bernardi, the abbot of San Salvatore a Sesto di Moriano near Lucca. The intriguing landscapes and cityscape lend a fairytale atmosphere. The painting entered the Uffizi Gallery in 1780. (Source: Uffizi Gallery [website]; https://www.virtualu ffizi.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-LAND-UG-SBP-D04
Image_OriginalVendor ID
7A1-LAND-UG-SBP-D04
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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