Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Iphigenia Being Led to Sacrifice
Work_PrefTitle
Iphigenia Being Led to Sacrifice
Preferred Title
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Alternate Title:
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Sacrifice of Iphigeneia
Work_AltTitle
Sacrifice of Iphigeneia
Alternate Title
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Image View:
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Detail, Iphigenia carried by Ulysses and Diomedes (or Achilles); Calchas stands to the right
Image_Title
Detail, Iphigenia carried by Ulysses and Diomedes (or Achilles); Calchas stands to the right
Image View
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Creator:
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unknown (Roman (ancient))
Agent_Display
unknown (Roman (ancient))
Creator
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Location:
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repository: Museo Archeologico Nazionale (Naples, Campania, Italy) 9112
Work_Location_Type_D isplay
repository: Museo Archeologico Nazionale (Naples, Campania, Italy) 9112
Location
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Location Note:
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Piazza Museo Nazionale, 19
Work_LocationNotes
Piazza Museo Nazionale, 19
Location Note
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GPS:
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40.8534 14.2505
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Date:
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ca. 62-79 CE (creation)
Work_DateDisplay
ca. 62-79 CE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
|
Style Period:
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Fourth Style; Imperial (Roman)
Work_StylePeriodDisp lay
Fourth Style; Imperial (Roman)
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Measurements:
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140 cm (height) x 138 cm (width)
Work_MeasurementDisp lay
140 cm (height) x 138 cm (width)
Measurements
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Description:
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Large fresco painted in the Fourth Style, from the House of the Tragic Poet (VII, 8, 5). Iphigenia is forcibly carried towards the altar for sacrifice by Ulysses and Diomedes (or Achilles); on the right stands Calchas, dressed in a long tunic, who displays his unease by bringing his hand to his mouth in a puzzled expression, while on the extreme left, Agamemnon, covered entirely by a cloak, with his head lowered and a hand covering his eyes, turns away from the scene. Artemis appears twice, in the small statue behind Agamemnon and in the sky, with a nymph who is leading a deer. (Source: Naples National Archaeological Museum [website]; http://cir.campania. beniculturali.it/mus eoarcheologiconazion ale)
Work_Description_Sou rce
Large fresco painted in the Fourth Style, from the House of the Tragic Poet (VII, 8, 5). Iphigenia is forcibly carried towards the altar for sacrifice by Ulysses and Diomedes (or Achilles); on the right stands Calchas, dressed in a long tunic, who displays his unease by bringing his hand to his mouth in a puzzled expression, while on the extreme left, Agamemnon, covered entirely by a cloak, with his head lowered and a hand covering his eyes, turns away from the scene. Artemis appears twice, in the small statue behind Agamemnon and in the sky, with a nymph who is leading a deer. (Source: Naples National Archaeological Museum [website]; http://cir.campania. beniculturali.it/mus eoarcheologiconazion ale)
Description
|
Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
|
Identifier:
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7A3-R-NAM-IPS-A03
Image_OriginalVendor ID
7A3-R-NAM-IPS-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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