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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Apollo and Daphne
Work_PrefTitle
Apollo and Daphne
Preferred Title
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Image View:
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Detail, lower bodies (with black background)
Image_Title
Detail, lower bodies (with black background)
Image View
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Creator:
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Cardinal Scipione Borghese (Italian patron, 1576-1633); Gian Lorenzo Bernini (Italian sculptor, 1598-1680)
Agent_Display
Cardinal Scipione Borghese (Italian patron, 1576-1633); Gian Lorenzo Bernini (Italian sculptor, 1598-1680)
Creator
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Location:
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repository: Galleria Borghese (Rome, Lazio, Italy) inv. CV
Work_Location_Type_D isplay
repository: Galleria Borghese (Rome, Lazio, Italy) inv. CV
Location
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Location Note:
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Piazzale del Museo Borghese 5
Work_LocationNotes
Piazzale del Museo Borghese 5
Location Note
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GPS:
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41.914 12.492
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Date:
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1622-1624 (creation)
Work_DateDisplay
1622-1624 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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Carrara marble
Work_MaterialDisplay
Carrara marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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243 cm (height)
Work_MeasurementDisp lay
243 cm (height)
Measurements
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Description:
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The spectacular Apollo and Daphne was inspired by a passage in Ovid’s Metamorphoses and was conceived, in part, as a challenge to both poetry and painting. The metamorphosis of Daphne into a laurel tree is a technical tour de force representing an apparent transmutation of marble into leaves, bark, cloth and flesh. This hallucinatory realism is matched by an extraordinary temporal innovation. The group was originally placed in a room against an interior wall close to two corner doors. Upon entering, the viewer would see only the back of Apollo and his flowing drapery, the drama unfolding in real time and space as the spectator went further into the room. Here Bernini controlled the viewer’s experience, as he did later on a much larger scale in St. Peter’s. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The spectacular Apollo and Daphne was inspired by a passage in Ovid’s Metamorphoses and was conceived, in part, as a challenge to both poetry and painting. The metamorphosis of Daphne into a laurel tree is a technical tour de force representing an apparent transmutation of marble into leaves, bark, cloth and flesh. This hallucinatory realism is matched by an extraordinary temporal innovation. The group was originally placed in a room against an interior wall close to two corner doors. Upon entering, the viewer would see only the back of Apollo and his flowing drapery, the drama unfolding in real time and space as the spectator went further into the room. Here Bernini controlled the viewer’s experience, as he did later on a much larger scale in St. Peter’s. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-BG-BG-AAD-A03
Image_OriginalVendor ID
7A1-BG-BG-AAD-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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