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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Madonna and Child between Saints Ignatius of Antioch and Onuphrius
Work_PrefTitle
Madonna and Child between Saints Ignatius of Antioch and Onuphrius
Preferred Title
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Alternate Title:
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Madonna col Bambino e i santi Ignazio di Antiochia e Onofrio
Work_AltTitle
Madonna col Bambino e i santi Ignazio di Antiochia e Onofrio
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Lorenzo Lotto (Italian painter, ca. 1480-1556)
Agent_Display
Lorenzo Lotto (Italian painter, ca. 1480-1556)
Creator
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Location:
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repository: Galleria Borghese (Rome, Lazio, Italy) inv. 193
Work_Location_Type_D isplay
repository: Galleria Borghese (Rome, Lazio, Italy) inv. 193
Location
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Location Note:
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Piazzale del Museo Borghese 5
Work_LocationNotes
Piazzale del Museo Borghese 5
Location Note
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GPS:
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41.914 12.492
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Date:
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1508 (creation)
Work_DateDisplay
1508 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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51 cm (height) x 65 cm (width)
Work_MeasurementDisp lay
51 cm (height) x 65 cm (width)
Measurements
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Description:
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The painting uses the Holy Conversation composition, with the Madonna and Child in the center between two saints, a scheme widely used by Giovanni Bellini and other Venetian painters of the time. The saint on the left offers the Christ Child a pierced heart, symbol of the Passion. This has also led to identification as Ignatius of Antioch: according to the legend, after his death his heart opened and the name of Jesus (as referred by Lotto with the monogram YHS on it) in golden letters. Some scholars identify the saint as St. Flavian of Ricina. On the right is Onuphrius the hermit, whose character was inspired by Dürer's Christ among the Doctors, which the German artist had painted in Venice in 1506. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
The painting uses the Holy Conversation composition, with the Madonna and Child in the center between two saints, a scheme widely used by Giovanni Bellini and other Venetian painters of the time. The saint on the left offers the Christ Child a pierced heart, symbol of the Passion. This has also led to identification as Ignatius of Antioch: according to the legend, after his death his heart opened and the name of Jesus (as referred by Lotto with the monogram YHS on it) in golden letters. Some scholars identify the saint as St. Flavian of Ricina. On the right is Onuphrius the hermit, whose character was inspired by Dürer's Christ among the Doctors, which the German artist had painted in Venice in 1506. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-LOT-GB-MCA-A02
Image_OriginalVendor ID
7A1-LOT-GB-MCA-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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