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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Madonna and Child
Work_PrefTitle
Madonna and Child
Preferred Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Giovanni Bellini (Italian painter, ca.1431-1516)
Agent_Display
Giovanni Bellini (Italian painter, ca.1431-1516)
Creator
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Location:
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repository: Galleria Borghese (Rome, Lazio, Italy) inv. 176
Work_Location_Type_D isplay
repository: Galleria Borghese (Rome, Lazio, Italy) inv. 176
Location
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Location Note:
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Piazzale del Museo Borghese 5
Work_LocationNotes
Piazzale del Museo Borghese 5
Location Note
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GPS:
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41.914 12.492
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Date:
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ca. 1510 (creation)
Work_DateDisplay
ca. 1510 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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50 cm (height) x 41 cm (width)
Work_MeasurementDisp lay
50 cm (height) x 41 cm (width)
Measurements
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Description:
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Small-scale panels for private devotion, frequently of the Madonna and Child, were a genre that remained characteristic throughout Bellini's career. Signed on the cartellino on the parapet. There is a resemblance to the Virgin and Child in the San Zaccaria Altarpiece of 1505. In the late nineteenth and early twentieth centuries, there were attributions to followers of Bellini (Bissolo, Catena and Pseudo-Basaiti), and some more recent critics have considered it a late studio work. Tempestini (1999) considers it Bellini’s latest surviving half-length Madonna (about 1510). The picture is unrecorded before 1833, when it is listed in a Borghese inventory. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Work_Description_Sou rce
Small-scale panels for private devotion, frequently of the Madonna and Child, were a genre that remained characteristic throughout Bellini's career. Signed on the cartellino on the parapet. There is a resemblance to the Virgin and Child in the San Zaccaria Altarpiece of 1505. In the late nineteenth and early twentieth centuries, there were attributions to followers of Bellini (Bissolo, Catena and Pseudo-Basaiti), and some more recent critics have considered it a late studio work. Tempestini (1999) considers it Bellini’s latest surviving half-length Madonna (about 1510). The picture is unrecorded before 1833, when it is listed in a Borghese inventory. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-BELLI-BG-MWB-A01
Image_OriginalVendor ID
7A1-BELLI-BG-MWB-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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