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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Madonna and Child in Glory with the Saints Anthony of Padua and Francis
Work_PrefTitle
Madonna and Child in Glory with the Saints Anthony of Padua and Francis
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Garofalo (Italian painter, 1481-1559)
Agent_Display
Garofalo (Italian painter, 1481-1559)
Creator
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Location:
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repository: Musei Capitolini (Rome, Lazio, Italy) Inv. PC 18
Work_Location_Type_D isplay
repository: Musei Capitolini (Rome, Lazio, Italy) Inv. PC 18
Location
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Location Note:
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Piazza del Campidoglio, 1; Palazzo dei Conservatori
Work_LocationNotes
Piazza del Campidoglio, 1; Palazzo dei Conservatori
Location Note
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GPS:
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41.893056 12.4825
GPS
41.893056 12.4825
GPS
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Date:
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ca. 1520-1525 (creation)
Work_DateDisplay
ca. 1520-1525 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style)
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style)
Style Period
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Work Type 1:
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altarpiece
Work_Worktype1
altarpiece
Work Type 1
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Work Type 2:
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panel painting
Work_Worktype2
panel painting
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on panel
Work_MaterialDisplay
oil paint on panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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120 cm (height) x 80 cm (width)
Work_MeasurementDisp lay
120 cm (height) x 80 cm (width)
Measurements
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Description:
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Benvenuto Tisi (or Il Garofalo) worked in the court in Ferrara. It is possible that Garofalo went to Rome, since his works after 1513 clearly display a familiarity with the new classicism of Raphael. This new element was to form the basis of Garofalo’s output over a long period; he produced a vast number of altarpieces for the main churches in Ferrara. The presence of two Franciscan Saints and the pose of the Madonna probably allude to the thesis of absence of original sin in the Virgin (Immaculate Conception); this was promoted by the Franciscan order. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Benvenuto Tisi (or Il Garofalo) worked in the court in Ferrara. It is possible that Garofalo went to Rome, since his works after 1513 clearly display a familiarity with the new classicism of Raphael. This new element was to form the basis of Garofalo’s output over a long period; he produced a vast number of altarpieces for the main churches in Ferrara. The presence of two Franciscan Saints and the pose of the Madonna probably allude to the thesis of absence of original sin in the Virgin (Immaculate Conception); this was promoted by the Franciscan order. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-GARO-CM-MCG-A01
Image_OriginalVendor ID
7A1-GARO-CM-MCG-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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