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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Saint Matthew and the Angel
Work_PrefTitle
Saint Matthew and the Angel
Preferred Title
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Alternate Title:
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San Matteo e l'Angelo
Work_AltTitle
San Matteo e l'Angelo
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Guercino (Italian painter, 1591-1666)
Agent_Display
Guercino (Italian painter, 1591-1666)
Creator
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Location:
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repository: Musei Capitolini (Rome, Lazio, Italy) Inv. PC 55
Work_Location_Type_D isplay
repository: Musei Capitolini (Rome, Lazio, Italy) Inv. PC 55
Location
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Location Note:
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Piazza del Campidoglio, 1; Palazzo dei Conservatori
Work_LocationNotes
Piazza del Campidoglio, 1; Palazzo dei Conservatori
Location Note
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GPS:
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41.893056 12.4825
GPS
41.893056 12.4825
GPS
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Date:
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1622 (creation)
Work_DateDisplay
1622 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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120 cm (height) x 179 cm (width)
Work_MeasurementDisp lay
120 cm (height) x 179 cm (width)
Measurements
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Description:
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Guercino’s Roman period (1621-1623), short in span though it was, exerted a lasting impact on his subsequent development. His early naturalistic chiaroscuro style, so successfully practiced in Emilia, was not highly regarded in the sophisticated Roman court. This work reflects his early style; subsequently he changed his style, influenced by classicism and the style of Guido Reni. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Guercino’s Roman period (1621-1623), short in span though it was, exerted a lasting impact on his subsequent development. His early naturalistic chiaroscuro style, so successfully practiced in Emilia, was not highly regarded in the sophisticated Roman court. This work reflects his early style; subsequently he changed his style, influenced by classicism and the style of Guido Reni. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A3-C-CM-SMA-A01
Image_OriginalVendor ID
7A3-C-CM-SMA-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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