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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Annunciation with two Kneeling Donors
Work_PrefTitle
Annunciation with two Kneeling Donors
Preferred Title
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Alternate Title:
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Annunciazione e due committenti
Work_AltTitle
Annunciazione e due committenti
Alternate Title
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Image View:
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Detail, angel Gabriel (painting has suffered loss on the left side, cutting off the angel's wings)
Image_Title
Detail, angel Gabriel (painting has suffered loss on the left side, cutting off the angel's wings)
Image View
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Creator:
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Filippo Lippi (Italian painter, ca. 1406-1469)
Agent_Display
Filippo Lippi (Italian painter, ca. 1406-1469)
Creator
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Location:
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repository: Galleria Nazionale d'Arte Antica (Rome, Lazio, Italy) 1662 (F.N. 19220)
Work_Location_Type_D isplay
repository: Galleria Nazionale d'Arte Antica (Rome, Lazio, Italy) 1662 (F.N. 19220)
Location
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Location Note:
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Palazzo Barberini, Via delle Quattro Fontane, 13
Work_LocationNotes
Palazzo Barberini, Via delle Quattro Fontane, 13
Location Note
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GPS:
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41.903611 12.490278
GPS
41.903611 12.490278
GPS
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Date:
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ca. 1440 (creation)
Work_DateDisplay
ca. 1440 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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155 x 144 cm (width)
Work_MeasurementDisp lay
155 x 144 cm (width)
Measurements
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Description:
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Possibly from the church of Sant'Egidio in Florence. At some point, the painting was probably cut down on the left side. Current scholarship has it dated to ca. 1440, comparing it to the Annunciation in Munich and recognizing in it the beginnings of Lippi's attachment to the style of Fra Angelico. The participation of Andrea del Castagno has also been suggested, with a date of around 1440. The portraits of the donors, more recently identified as Folco Portinari and Folgonaccio, were probably carried out with the help of an assistant. (Source: Gallery Palazzo Barberini online collection [website]; http://galleriabarbe rini.beniculturali.i t/)
Work_Description_Sou rce
Possibly from the church of Sant'Egidio in Florence. At some point, the painting was probably cut down on the left side. Current scholarship has it dated to ca. 1440, comparing it to the Annunciation in Munich and recognizing in it the beginnings of Lippi's attachment to the style of Fra Angelico. The participation of Andrea del Castagno has also been suggested, with a date of around 1440. The portraits of the donors, more recently identified as Folco Portinari and Folgonaccio, were probably carried out with the help of an assistant. (Source: Gallery Palazzo Barberini online collection [website]; http://galleriabarbe rini.beniculturali.i t/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-LIPPI-PB-AN-A03
Image_OriginalVendor ID
7A1-LIPPI-PB-AN-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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