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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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David and Goliath
Work_PrefTitle
David and Goliath
Preferred Title
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Alternate Title:
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Davide e Golia
Work_AltTitle
Davide e Golia
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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after Michelangelo Buonarroti (Italian draftsman, 1475-1564); Daniele da Volterra (Italian draftsman, ca. 1509-1566)
Agent_Display
after Michelangelo Buonarroti (Italian draftsman, 1475-1564); Daniele da Volterra (Italian draftsman, ca. 1509-1566)
Creator
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Location:
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repository: Galleria Nazionale d'Arte Antica (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Galleria Nazionale d'Arte Antica (Rome, Lazio, Italy)
Location
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Location Note:
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Palazzo Barberini, Via delle Quattro Fontane, 13
Work_LocationNotes
Palazzo Barberini, Via delle Quattro Fontane, 13
Location Note
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GPS:
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41.903611 12.490278
GPS
41.903611 12.490278
GPS
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Date:
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ca. 1550-1556 (creation)
Work_DateDisplay
ca. 1550-1556 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style)
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style)
Style Period
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Work Type 1:
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drawing (visual work)
Work_Worktype1
drawing (visual work)
Work Type 1
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Classification:
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drawing
Work_Classification
drawing
Classification
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Material:
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black chalk on paper
Work_MaterialDisplay
black chalk on paper
Material
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Technique:
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drawing (image-making)
Work_Technique
drawing (image-making)
Technique
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Description:
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Daniele was similarly influenced by Florentine Mannerism in other works, for example in the paintings he made for Giovanni della Casa during the 1550s. Although these works, including the David and Goliath in the Louvre, are generally derived from drawings by Michelangelo (who specifically gave Daniele preliminary sketches for David and Goliath, now in the Morgan), their polish and finish are close to the manner of Vasari and Salviati. There is another similar but less finished drawing in the Uffizi. This drawing closely matches the front side of the Louvre painting, which is painted on slate, on both sides. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Daniele was similarly influenced by Florentine Mannerism in other works, for example in the paintings he made for Giovanni della Casa during the 1550s. Although these works, including the David and Goliath in the Louvre, are generally derived from drawings by Michelangelo (who specifically gave Daniele preliminary sketches for David and Goliath, now in the Morgan), their polish and finish are close to the manner of Vasari and Salviati. There is another similar but less finished drawing in the Uffizi. This drawing closely matches the front side of the Louvre painting, which is painted on slate, on both sides. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-RICCI-PB-DG-A01
Image_OriginalVendor ID
7A1-RICCI-PB-DG-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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