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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Agrippa's Villa of the Farnesina: Bedroom (Cubiculum) D
Work_PrefTitle
Agrippa's Villa of the Farnesina: Bedroom (Cubiculum) D
Preferred Title
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Image View:
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Detail, scene on back wall of alcove; three women perform a sacrificial ceremony at rustic shrine
Image_Title
Detail, scene on back wall of alcove; three women perform a sacrificial ceremony at rustic shrine
Image View
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Creator:
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unknown, Roman
Agent_Display
unknown, Roman
Creator
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Location:
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repository: Museo Nazionale Romano (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Museo Nazionale Romano (Rome, Lazio, Italy)
Location
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Location Note:
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Palazzo Massimo alle Terme; largo di Villa Peretti, 1
Work_LocationNotes
Palazzo Massimo alle Terme; largo di Villa Peretti, 1
Location Note
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GPS:
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41.901403 12.498216
GPS
41.901403 12.498216
GPS
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Date:
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ca. 25- 20 BCE (creation)
Work_DateDisplay
ca. 25- 20 BCE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Imperial (Roman); Third Style
Work_StylePeriodDisp lay
Imperial (Roman); Third Style
Style Period
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Work Type 1:
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cubiculum
Work_Worktype1
cubiculum
Work Type 1
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Work Type 2:
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fresco (painting)
Work_Worktype2
fresco (painting)
Work Type 2
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Work Type 3:
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stuccowork
Work_Worktype3
stuccowork
Work Type 3
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster; stuccowork
Work_MaterialDisplay
pigment on plaster; stuccowork
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Description:
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Around 20 BCE there began to be a reaction against the illusionistic tricks of the Second Style. Buildings are still depicted in the Farnesina House in Rome, commissioned ca. 25-20 BCE by the general Marcus Vipsanius Agrippa, but they are increasingly attenuated and accompanied by new painted motifs: candelabra, a profusion of decorative stripes, and Egyptianizing motifs. The ancient villa was discovered under the grounds of the present Villa Farnesina in Trastevere in 1879, during maintenance works on the banks of the Tiber. In the exhibition space of Palazzo Massimo the restored frescoes have been recomposed within rooms of the original dimensions. This is one of two cubicula with vermillion red walls (made from cinnabar). The decorative scheme of both involves Aphrodite and Dionysus. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Around 20 BCE there began to be a reaction against the illusionistic tricks of the Second Style. Buildings are still depicted in the Farnesina House in Rome, commissioned ca. 25-20 BCE by the general Marcus Vipsanius Agrippa, but they are increasingly attenuated and accompanied by new painted motifs: candelabra, a profusion of decorative stripes, and Egyptianizing motifs. The ancient villa was discovered under the grounds of the present Villa Farnesina in Trastevere in 1879, during maintenance works on the banks of the Tiber. In the exhibition space of Palazzo Massimo the restored frescoes have been recomposed within rooms of the original dimensions. This is one of two cubicula with vermillion red walls (made from cinnabar). The decorative scheme of both involves Aphrodite and Dionysus. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A3-R-PM-VF-BD-A16
Image_OriginalVendor ID
7A3-R-PM-VF-BD-A16
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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