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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Agrippa's Villa of the Farnesina: Triclinium C
Work_PrefTitle
Agrippa's Villa of the Farnesina: Triclinium C
Preferred Title
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Image View:
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Detail, female figure at top of column, appearing to support top of the black band like a caryatid
Image_Title
Detail, female figure at top of column, appearing to support top of the black band like a caryatid
Image View
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Creator:
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unknown (Roman (ancient))
Agent_Display
unknown (Roman (ancient))
Creator
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Location:
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repository: Museo Nazionale Romano (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Museo Nazionale Romano (Rome, Lazio, Italy)
Location
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Location Note:
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Palazzo Massimo alle Terme; largo di Villa Peretti, 1
Work_LocationNotes
Palazzo Massimo alle Terme; largo di Villa Peretti, 1
Location Note
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GPS:
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41.901403 12.498216
GPS
41.901403 12.498216
GPS
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Date:
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ca. 25-20 BCE (creation)
Work_DateDisplay
ca. 25-20 BCE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Imperial (Roman); Third Style
Work_StylePeriodDisp lay
Imperial (Roman); Third Style
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Work Type 2:
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dining room
Work_Worktype2
dining room
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Description:
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Around 20 BCE there began to be a reaction against the illusionistic tricks of the Second Style. Buildings are still depicted in the Farnesina House in Rome, commissioned ca. 25-20 BCE by the general Marcus Vipsanius Agrippa, but they are increasingly attenuated and accompanied by new painted motifs: candelabra, a profusion of decorative stripes, and Egyptianizing motifs. The ancient villa was discovered under the grounds of the present Villa Farnesina in Trastevere in 1879, during maintenance works on the banks of the Tiber. The frescoes were removed. This room is the dining room, installed in the museum to the original dimensions. There would have been a central table and three couches (hence triclinium). The southern exposure and black color follow the later recommendation of Vitruvius that a dark color will absorb heat and warm the room, therefor it is thought this was the winter triclinium. The black color (atramentum) was made from a mixture charcoal and glue; the decorations are painted on top in light colors. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Around 20 BCE there began to be a reaction against the illusionistic tricks of the Second Style. Buildings are still depicted in the Farnesina House in Rome, commissioned ca. 25-20 BCE by the general Marcus Vipsanius Agrippa, but they are increasingly attenuated and accompanied by new painted motifs: candelabra, a profusion of decorative stripes, and Egyptianizing motifs. The ancient villa was discovered under the grounds of the present Villa Farnesina in Trastevere in 1879, during maintenance works on the banks of the Tiber. The frescoes were removed. This room is the dining room, installed in the museum to the original dimensions. There would have been a central table and three couches (hence triclinium). The southern exposure and black color follow the later recommendation of Vitruvius that a dark color will absorb heat and warm the room, therefor it is thought this was the winter triclinium. The black color (atramentum) was made from a mixture charcoal and glue; the decorations are painted on top in light colors. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A3-R-PM-VF-TR-C11
Image_OriginalVendor ID
7A3-R-PM-VF-TR-C11
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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