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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Irene Cares for Saint Sebastian
Work_PrefTitle
Irene Cares for Saint Sebastian
Preferred Title
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Alternate Title:
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Saint Sebastian Aided by Saint Irene
Work_AltTitle
Saint Sebastian Aided by Saint Irene
Alternate Title
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Image View:
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Detail, center portion
Image_Title
Detail, center portion
Image View
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Creator:
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Trophime Bigot (French painter, ca. 1579-1650)
Agent_Display
Trophime Bigot (French painter, ca. 1579-1650)
Creator
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Location:
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repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 42307
Work_Location_Type_D isplay
repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 42307
Location
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Location Note:
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Pinacoteca
Work_LocationNotes
Pinacoteca
Location Note
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GPS:
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41.906389 12.454444
GPS
41.906389 12.454444
GPS
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Date:
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ca. 1620 (creation)
Work_DateDisplay
ca. 1620 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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98 cm (height) x 137 cm (width)
Work_MeasurementDisp lay
98 cm (height) x 137 cm (width)
Measurements
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Description:
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The oeuvre of this artist was formerly attributed to two people with the same name, but modern scholarship maintains that all work is by the same person, who, during one phase of his career while living in Rome in the 1620s, painted nocturnal, candlelit, half-length figures in the manner of Caravaggio. He is best known for works produced in Arles and Aix-en-Provence, characterized by a softer chiaroscuro. English art historian Benedict Nicolson was the first to propose that he was identical with the artist called Maître à la chandelle (Candlelight Master). There are four versions of this painting in various museums. (Source: Union List of Artist Names [online notes]; http://www.getty.edu /research/conducting _research/vocabulari es/ulan)
Work_Description_Sou rce
The oeuvre of this artist was formerly attributed to two people with the same name, but modern scholarship maintains that all work is by the same person, who, during one phase of his career while living in Rome in the 1620s, painted nocturnal, candlelit, half-length figures in the manner of Caravaggio. He is best known for works produced in Arles and Aix-en-Provence, characterized by a softer chiaroscuro. English art historian Benedict Nicolson was the first to propose that he was identical with the artist called Maître à la chandelle (Candlelight Master). There are four versions of this painting in various museums. (Source: Union List of Artist Names [online notes]; http://www.getty.edu /research/conducting _research/vocabulari es/ulan)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-BIGOT-VM-ICSS-A0 2
Image_OriginalVendor ID
7A1-BIGOT-VM-ICSS-A0 2
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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