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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Crowning of the Virgin
Work_PrefTitle
Crowning of the Virgin
Preferred Title
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Alternate Title:
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Madonna of Monteluce
Work_AltTitle
Madonna of Monteluce
Alternate Title
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Image View:
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Detail, the Apostles find Mary's tomb full of flowers; St. Peter with key
Image_Title
Detail, the Apostles find Mary's tomb full of flowers; St. Peter with key
Image View
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Creator:
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after Raphael (Italian designer, 1483-1520); Giovanni Francesco Penni (Italian painter, ca. 1496-ca. 1528); Giulio Romano (Italian painter, 1499-1546)
Agent_Display
after Raphael (Italian designer, 1483-1520); Giovanni Francesco Penni (Italian painter, ca. 1496-ca. 1528); Giulio Romano (Italian painter, 1499-1546)
Creator
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Location:
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repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 40359
Work_Location_Type_D isplay
repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 40359
Location
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Location Note:
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Pinacoteca, Room X
Work_LocationNotes
Pinacoteca, Room X
Location Note
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GPS:
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41.906389 12.454444
GPS
41.906389 12.454444
GPS
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Date:
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1505-1525 (creation)
Work_DateDisplay
1505-1525 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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354 cm (height) x 232 cm (width)
Work_MeasurementDisp lay
354 cm (height) x 232 cm (width)
Measurements
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Description:
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The Poor Clares of the convent of Monteluce near Perugia (hence the painting is usually called "Madonna of Monteluce") commissioned the young Raphael an altarpiece with the Assumption of the Virgin in 1503. Subsequently two other contracts were signed (1505, 1516). On the death of Raphael (1520) the work was not yet completed and only some drawings were ready. A new contract (1523) was therefore drawn up with his assistants Giulio Romano and Giovan Francesco Penni, who finally delivered the altarpiece in 1525. The work is made up of two parts, painted on different occasions and then joined together. The most likely hypothesis is that the upper panel with the Crowning of the Virgin (probably begun as a sketch by Raphael) is the work of Giulio Romano, while for the lower part an altarpiece by Giovan Francesco Penni was used. This had been commissioned by Agostino Chigi for the family chapel in S. Maria del Popolo, but then refused. (Source: Vatican Museums (Musei Vaticani) [website]; http://mv.vatican.va /)
Work_Description_Sou rce
The Poor Clares of the convent of Monteluce near Perugia (hence the painting is usually called "Madonna of Monteluce") commissioned the young Raphael an altarpiece with the Assumption of the Virgin in 1503. Subsequently two other contracts were signed (1505, 1516). On the death of Raphael (1520) the work was not yet completed and only some drawings were ready. A new contract (1523) was therefore drawn up with his assistants Giulio Romano and Giovan Francesco Penni, who finally delivered the altarpiece in 1525. The work is made up of two parts, painted on different occasions and then joined together. The most likely hypothesis is that the upper panel with the Crowning of the Virgin (probably begun as a sketch by Raphael) is the work of Giulio Romano, while for the lower part an altarpiece by Giovan Francesco Penni was used. This had been commissioned by Agostino Chigi for the family chapel in S. Maria del Popolo, but then refused. (Source: Vatican Museums (Musei Vaticani) [website]; http://mv.vatican.va /)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-TIZI-VM-MCS-A08
Image_OriginalVendor ID
7A1-TIZI-VM-MCS-A08
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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