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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Rest on the Flight to Egypt
Work_PrefTitle
Rest on the Flight to Egypt
Preferred Title
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Image View:
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Detail, Virgin Mary and Christ Child
Image_Title
Detail, Virgin Mary and Christ Child
Image View
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Creator:
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Federico Barocci (Italian painter, 1528-1612)
Agent_Display
Federico Barocci (Italian painter, 1528-1612)
Creator
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Location:
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repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 40377
Work_Location_Type_D isplay
repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 40377
Location
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Location Note:
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Pinacoteca, Room XI
Work_LocationNotes
Pinacoteca, Room XI
Location Note
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GPS:
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41.906389 12.454444
GPS
41.906389 12.454444
GPS
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Date:
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1570 (creation)
Work_DateDisplay
1570 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Sixteenth century
Work_StylePeriodDisp lay
Sixteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Description:
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The leading altar painter in Italy in the second half of the 16th century, Barocci enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. Even in his smaller canvasses which were painted for private chapels or collectors, Barocci abandoned the often cold calligraphy of the Mannerists. Instead, he favoured delicate images, rosy colours, soft light, and landscape settings, influenced by the work of Correggio. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The leading altar painter in Italy in the second half of the 16th century, Barocci enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. Even in his smaller canvasses which were painted for private chapels or collectors, Barocci abandoned the often cold calligraphy of the Mannerists. Instead, he favoured delicate images, rosy colours, soft light, and landscape settings, influenced by the work of Correggio. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-BAROC-VM-RF-A02
Image_OriginalVendor ID
7A1-BAROC-VM-RF-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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