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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Apollo Belvedere
Work_PrefTitle
Apollo Belvedere
Preferred Title
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Alternate Title:
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Pythian Apollo
Work_AltTitle
Pythian Apollo
Alternate Title
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Image View:
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Detail, upper body from the left side
Image_Title
Detail, upper body from the left side
Image View
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Creator:
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after Leochares (Ancient Greek sculptor, active late 4th century BCE); unknown (Roman (ancient))
Agent_Display
after Leochares (Ancient Greek sculptor, active late 4th century BCE); unknown (Roman (ancient))
Creator
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Location:
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repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 1015
Work_Location_Type_D isplay
repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy) Inv. 1015
Location
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Location Note:
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Pio Clementino Museum, Octagonal Court
Work_LocationNotes
Pio Clementino Museum, Octagonal Court
Location Note
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GPS:
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41.906389 12.454444
GPS
41.906389 12.454444
GPS
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Date:
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Roman work, ca. 120-140 (creation)
Work_DateDisplay
Roman work, ca. 120-140 (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Greco-Roman; Imperial (Roman)
Work_StylePeriodDisp lay
Greco-Roman; Imperial (Roman)
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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224 cm (height)
Work_MeasurementDisp lay
224 cm (height)
Measurements
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Description:
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The Apollo may be a Roman copy of Hadrianic date (ca. 120-140) of a lost bronze original made between 350 and 325 BCE by the Greek sculptor Leochares. It is now regarded as a Roman creation of the early 2nd century CE. Apollo is depicted as a standing archer having just shot an arrow. Although there is no agreement as to the precise narrative detail being depicted, the conventional view has been that he has just slain the serpent Python. The statue was discovered ca. 1489 and became part of the private collection of Cardinal Giuliano della Rovere. When he became Pope Julius II, he moved the statue to the Belvedere, where it became famous. The Apollo became one of the world's most celebrated art works when in 1755 it was championed by Winckelmann as the best example of the Greek aesthetic ideal. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The Apollo may be a Roman copy of Hadrianic date (ca. 120-140) of a lost bronze original made between 350 and 325 BCE by the Greek sculptor Leochares. It is now regarded as a Roman creation of the early 2nd century CE. Apollo is depicted as a standing archer having just shot an arrow. Although there is no agreement as to the precise narrative detail being depicted, the conventional view has been that he has just slain the serpent Python. The statue was discovered ca. 1489 and became part of the private collection of Cardinal Giuliano della Rovere. When he became Pope Julius II, he moved the statue to the Belvedere, where it became famous. The Apollo became one of the world's most celebrated art works when in 1755 it was championed by Winckelmann as the best example of the Greek aesthetic ideal. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A3-G-VM-AB-A18
Image_OriginalVendor ID
7A3-G-VM-AB-A18
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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